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| | BOOK FORMAT
Hardcover, 6.75 x 9.5 in. / 96 pgs / 92 color. PUBLISHING STATUS
Pub Date 2/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2005 p. 140 PRODUCT DETAILS
ISBN 9783775715164 TRADE
List Price: $24.95 CDN $27.50 AVAILABILITY
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| | | Philippe Bradshaw: A Fly In The HouseEssays by Margrit Brehm. Introduction by Agnes Husslein-Arco and Ralph Melcher.
Philippe Bradshaw draws as freely from the great masterpieces of art history as he does from the essential ideas of Conceptual, Minimal, or Pop Art, pirating at will from the bounteous domains of the art world. Bradshaw produced the first of his Chain Curtains, in which colored links form chains of images combined with the medium of video in the late 1990s. Yet, as shown in this book, his playful approach to the fruits of tradition differs distinctly from the conceptual appropriation of works of art as practiced by Elaine Sturtevant or Sherrie Levine. Bradshaw describes the process of motif transposition in his works as "bastardization." Color and disciplined chaos ensue.
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FORMAT: Hardcover, 6.75 x 9.5 in. / 96 pgs / 92 color.
LIST PRICE: U.S. $24.95
LIST PRICE: CANADA $27.5
ISBN: 9783775715164
PUBLISHER: Hatje Cantz
AVAILABLE: 2/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2005 Page 140 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Philippe Bradshaw: A Fly In The House Published by Hatje Cantz.
Essays by Margrit Brehm. Introduction by Agnes Husslein-Arco and Ralph Melcher. Philippe Bradshaw draws as freely from the great masterpieces of art history as he does from the essential ideas of Conceptual, Minimal, or Pop Art, pirating at will from the bounteous domains of the art world. Bradshaw produced the first of his Chain Curtains, in which colored links form chains of images combined with the medium of video in the late 1990s. Yet, as shown in this book, his playful approach to the fruits of tradition differs distinctly from the conceptual appropriation of works of art as practiced by Elaine Sturtevant or Sherrie Levine. Bradshaw describes the process of motif transposition in his works as "bastardization." Color and disciplined chaos ensue.
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