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| | BOOK FORMAT Hardcover, 7.5 x 9.75 in. / 240 pgs / 140 color / DVD. PUBLISHING STATUS Pub Date 5/2/2003 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2003 PRODUCT DETAILS ISBN 9783775712729 TRADE List Price: $35.00 CDN $40.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Coded Characters: Media Art By Jill ScottArtwork by Jill Scott. Contributions by Roy Ascott. Text by Robert Atkins, Anne Marsh, Yvonne Spielmann.
Since 1975, the experimental work of Australian-born artist Jill Scott has evolved from making surveillance-performance events, to video art, to new computer art and interactive cinema. Coded Characters surveys her work, noting a persistent questioning of the role of the audience and an interest in the human body, which for Scott becomes both an interface and a player in the evolving zones of tech space and physical reality.
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FORMAT: Hardcover, 7.5 x 9.75 in. / 240 pgs / 140 color / DVD. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $40 ISBN: 9783775712729 PUBLISHER: Hatje Cantz AVAILABLE: 5/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2003 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Coded Characters: Media Art By Jill Scott Published by Hatje Cantz. Artwork by Jill Scott. Contributions by Roy Ascott. Text by Robert Atkins, Anne Marsh, Yvonne Spielmann. Since 1975, the experimental work of Australian-born artist Jill Scott has evolved from making surveillance-performance events, to video art, to new computer art and interactive cinema. Coded Characters surveys her work, noting a persistent questioning of the role of the audience and an interest in the human body, which for Scott becomes both an interface and a player in the evolving zones of tech space and physical reality.
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