FORMAT: Paperback, 9.75 x 11.5 in. / 264 pgs / 125 color / 65 b&w
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9783775710237
PUBLISHER: Hatje Cantz
AVAILABLE: 2/2/2001
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA

D.A.P. CATALOG: SPRING 2001

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Pop Art: Us/Uk Connections
1956-1966

Published by Hatje Cantz.
Essays by David E. Brauer, Jim Edwards, Christopher Finch, Walter Hopps. Foreword by Ned Rifkin.

Pop Art: US/UK Connections 1956-1966 examines the critical transatlantic cultural exchange that led to the decade-long development of classic Pop Art. This publication explores the impact on British and American artists of post-World War II American popular culture as disseminated in the mass media of film, recorded music, advertising and television. While Pop Art drew its influences from many sources, include abstract and figurative modes in painting and advertising, assemblage, and early happenings, it is these mass cultural influences that are the most crucial. The main emphasis of the book is on the resultant ''pure'' aspects of Pop--its hard-edged imagery and its use of photographic media and reproduction processes. Pop Art: US/UK Connections 1956-1966 is the first major American publication focusing on how a dialogue between British and American artists provided the genesis of Pop Art. Many readers will be surprised by this full account of the complex history of Pop Art, which involved a series of successive developments, first in London and subsequently in New York and Los Angeles. Featuring extensive documentation of works from all of Pop Art's major figures--British and American, famous and less well-known--Pop Art: US/UK Connections 1956-1966 also presents essential essays and interviews devoted to all things Pop.

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