| | BOOK FORMAT Paperback, 9.75 x 11.5 in. / 264 pgs / 125 color / 65 bw PUBLISHING STATUS Pub Date 2/2/2001 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2001 PRODUCT DETAILS ISBN 9783775710237 TRADE List Price: $39.95 CAD $50.00 AVAILABILITY Not available | TERRITORY NA LA | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Pop Art: Us/Uk Connections1956-1966Essays by David E. Brauer, Jim Edwards, Christopher Finch, Walter Hopps. Foreword by Ned Rifkin.
Pop Art: US/UK Connections 1956-1966 examines the critical transatlantic cultural exchange that led to the decade-long development of classic Pop Art. This publication explores the impact on British and American artists of post-World War II American popular culture as disseminated in the mass media of film, recorded music, advertising and television. While Pop Art drew its influences from many sources, include abstract and figurative modes in painting and advertising, assemblage, and early happenings, it is these mass cultural influences that are the most crucial. The main emphasis of the book is on the resultant ''pure'' aspects of Pop--its hard-edged imagery and its use of photographic media and reproduction processes. Pop Art: US/UK Connections 1956-1966 is the first major American publication focusing on how a dialogue between British and American artists provided the genesis of Pop Art. Many readers will be surprised by this full account of the complex history of Pop Art, which involved a series of successive developments, first in London and subsequently in New York and Los Angeles. Featuring extensive documentation of works from all of Pop Art's major figures--British and American, famous and less well-known--Pop Art: US/UK Connections 1956-1966 also presents essential essays and interviews devoted to all things Pop.
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FORMAT: Paperback, 9.75 x 11.5 in. / 264 pgs / 125 color / 65 b&w LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9783775710237 PUBLISHER: Hatje Cantz AVAILABLE: 2/2/2001 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA | D.A.P. CATALOG: SPRING 2001 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Pop Art: Us/Uk Connections 1956-1966 Published by Hatje Cantz. Essays by David E. Brauer, Jim Edwards, Christopher Finch, Walter Hopps. Foreword by Ned Rifkin. Pop Art: US/UK Connections 1956-1966 examines the critical transatlantic cultural exchange that led to the decade-long development of classic Pop Art. This publication explores the impact on British and American artists of post-World War II American popular culture as disseminated in the mass media of film, recorded music, advertising and television. While Pop Art drew its influences from many sources, include abstract and figurative modes in painting and advertising, assemblage, and early happenings, it is these mass cultural influences that are the most crucial. The main emphasis of the book is on the resultant ''pure'' aspects of Pop--its hard-edged imagery and its use of photographic media and reproduction processes. Pop Art: US/UK Connections 1956-1966 is the first major American publication focusing on how a dialogue between British and American artists provided the genesis of Pop Art. Many readers will be surprised by this full account of the complex history of Pop Art, which involved a series of successive developments, first in London and subsequently in New York and Los Angeles. Featuring extensive documentation of works from all of Pop Art's major figures--British and American, famous and less well-known--Pop Art: US/UK Connections 1956-1966 also presents essential essays and interviews devoted to all things Pop.
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