| | PUBLISHER
Onestar Press/Galerie Laurent GodinBOOK FORMAT
Hardcover, 8.5 x 11.75 in. / 48 pgs / 9 color / 48 bw. PUBLISHING STATUS
Pub Date 3/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 154 PRODUCT DETAILS
ISBN 9782915359190 FLAT40
List Price: $39.95 CDN $50.00 AVAILABILITY
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| | | ONESTAR PRESS/GALERIE LAURENT GODINLiz Cohen: BodyworkThe Trabant Project 2002-2006, From An East German Trabant to a US El Camino
This instantly collectible limited edition artist's book, featuring rounded edges and nine blown-in, four-color photographic images, documents a recent project by the daring and witty young American artist, Liz Cohen. In 2002, the artist began the process of importing the Trabant, once the most common car in East Germany, to the United States. Upon their arrival, Cohen set to work converting these Communist-era workhorses into supped-up hybrid American El Caminos. Black-and-white photographs and the artist's notes explain the process, and the glossy, blown-in photographs show the scantily clad, stiletto-shod artist posing in typical calendar-shot, car-model form on top of and alongside her works in progress, sometimes accompanied by the real-life mechanics who helped her to reach her dream.
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FORMAT: Hardcover, 8.5 x 11.75 in. / 48 pgs / 9 color / 48 b&w.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9782915359190
PUBLISHER: Onestar Press/Galerie Laurent Godin
AVAILABLE: 3/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Liz Cohen: Bodywork
The Trabant Project 2002-2006, From An East German Trabant to a US El Camino Published by Onestar Press/Galerie Laurent Godin. | This instantly collectible limited edition artist's book, featuring rounded edges and nine blown-in, four-color photographic images, documents a recent project by the daring and witty young American artist, Liz Cohen. In 2002, the artist began the process of importing the Trabant, once the most common car in East Germany, to the United States. Upon their arrival, Cohen set to work converting these Communist-era workhorses into supped-up hybrid American El Caminos. Black-and-white photographs and the artist's notes explain the process, and the glossy, blown-in photographs show the scantily clad, stiletto-shod artist posing in typical calendar-shot, car-model form on top of and alongside her works in progress, sometimes accompanied by the real-life mechanics who helped her to reach her dream.
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