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| |   |   | ONESTAR PRESS/GALERIE LAURENT GODINLiz Cohen: BodyworkThe Trabant Project 2002-2006, From An East German Trabant to a US El Camino
This instantly collectible limited edition artist's book, featuring rounded edges and nine blown-in, four-color photographic images, documents a recent project by the daring and witty young American artist, Liz Cohen. In 2002, the artist began the process of importing the Trabant, once the most common car in East Germany, to the United States. Upon their arrival, Cohen set to work converting these Communist-era workhorses into supped-up hybrid American El Caminos. Black-and-white photographs and the artist's notes explain the process, and the glossy, blown-in photographs show the scantily clad, stiletto-shod artist posing in typical calendar-shot, car-model form on top of and alongside her works in progress, sometimes accompanied by the real-life mechanics who helped her to reach her dream.
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FORMAT: Hardcover, 8.5 x 11.75 in. / 48 pgs / 9 color / 48 b&w. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9782915359190 PUBLISHER: Onestar Press/Galerie Laurent Godin AVAILABLE: 3/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of print AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2007 Page 154 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Liz Cohen: Bodywork The Trabant Project 2002-2006, From An East German Trabant to a US El Camino Published by Onestar Press/Galerie Laurent Godin. This instantly collectible limited edition artist's book, featuring rounded edges and nine blown-in, four-color photographic images, documents a recent project by the daring and witty young American artist, Liz Cohen. In 2002, the artist began the process of importing the Trabant, once the most common car in East Germany, to the United States. Upon their arrival, Cohen set to work converting these Communist-era workhorses into supped-up hybrid American El Caminos. Black-and-white photographs and the artist's notes explain the process, and the glossy, blown-in photographs show the scantily clad, stiletto-shod artist posing in typical calendar-shot, car-model form on top of and alongside her works in progress, sometimes accompanied by the real-life mechanics who helped her to reach her dream.
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