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| | BOOK FORMAT Paperback, 6 x 8.25 in. / 128 pgs. PUBLISHING STATUS Pub Date 2/1/2007 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 28 PRODUCT DETAILS ISBN 9782914563253 TRADE List Price: $25.00 CDN $34.50 GBP £18.00 AVAILABILITY Out of stock | | BROWSE THE 2022 FALL CATALOG  | Preview our Fall 2022 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Poetics of Cinema 2By Raul Ruiz.
Eleven years separate these lines from the first part of my Poetics of Cinema. Meanwhile the world has changed and cinema with it. Poetics of Cinema, 1 had much of a call to arms about it. What I write today is rather more of a consolatio philosophica. However, let no one be mistaken about this, a healthy pessimism may be better than a suicidal optimism. Following his research in Poetics of Cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Ruiz makes an appeal for an entirely new way of filming, writing and conceiving the image. 'Light, more light,' were Goethe's last words as he died. 'Less light, less light,' Orson Welles cried repeatedly on a set--the one and only time I saw him. In today's cinema (and in today's world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!"
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FORMAT: Paperback, 6 x 8.25 in. / 128 pgs. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 GBP £18.00 ISBN: 9782914563253 PUBLISHER: Dis Voir AVAILABLE: 2/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA UK LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 28 | PRESS INQUIRIES
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| Poetics of Cinema 2 Published by Dis Voir. By Raul Ruiz. Eleven years separate these lines from the first part of my Poetics of Cinema. Meanwhile the world has changed and cinema with it. Poetics of Cinema, 1 had much of a call to arms about it. What I write today is rather more of a consolatio philosophica. However, let no one be mistaken about this, a healthy pessimism may be better than a suicidal optimism. Following his research in Poetics of Cinema, 1 on new narrative models as tools for apprehending a fast-shifting world, Ruiz makes an appeal for an entirely new way of filming, writing and conceiving the image. 'Light, more light,' were Goethe's last words as he died. 'Less light, less light,' Orson Welles cried repeatedly on a set--the one and only time I saw him. In today's cinema (and in today's world) there is too much light. It is time to return to the shadows. So, about turn! And back to the caverns!"
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