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| | | | Semina Culture: Wallace Berman & His CircleEdited by Michael Duncan and Kristine McKenna. Essays by Michael Duncan and Kristine McKenna and Stephen Fredman.
The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late twentieth century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture: Wallace Berman & His Circle, a catalogue to the exhibition organized by the Santa Monica Muesum of Art including previously unexhibited works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, Semina is a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counterculture, Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reprduced here are works by various artists and writers who appear in Berman's own photographs--approximately 100 of which were recently developed from vintage negatives, and will be seen here for the first time.
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FORMAT: Hardcover, 9 x 11 in. / 384 pgs / 242 color / 250 b&w.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9781933045108
PUBLISHER: D.A.P./Santa Monica Museum of Art
AVAILABLE: 9/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: FALL 2005 Page 27 | PRESS INQUIRIES
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Fax: (212) 627-9484
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| Semina Culture: Wallace Berman & His Circle Published by D.A.P./Santa Monica Museum of Art.
Edited by Michael Duncan and Kristine McKenna. Essays by Michael Duncan and Kristine McKenna and Stephen Fredman. The quintessential visual artist of the Beat era, Wallace Berman (1926-1976) remains one of the best kept secrets of the late twentieth century. A crucial figure in California's postwar underground, Berman was a catalyst who traveled through many different worlds, transferring ideas and dreams from one circle to the next. His larger community is the subject of Semina Culture: Wallace Berman & His Circle, a catalogue to the exhibition organized by the Santa Monica Muesum of Art including previously unexhibited works by 52 artists. Anchoring this publication is Semina, a loose-leaf art and poetry journal that Berman published in nine issues between 1955 and 1964. Although privately made and distributed to a mere handful of friends and sympathizers, Semina is a brilliant compendium of the most interesting artists and poets of its time. Showcasing the individuals who came to define a still potent strand of post-war beat counterculture, Semina Culture subtly outlines the energies, values, and foibles of this fascinating circle. Also reprduced here are works by various artists and writers who appear in Berman's own photographs--approximately 100 of which were recently developed from vintage negatives, and will be seen here for the first time.
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