| | PUBLISHER
Creative Time BooksBOOK FORMAT
Paperback, 7 x 10 in. / 56 pgs / 42 color. PUBLISHING STATUS
Pub Date 5/1/2007
Active DISTRIBUTION
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Catalog: FALL 2007 p. 131 PRODUCT DETAILS
ISBN 9781928570042 TRADE
List Price: $29.95 CDN $39.95 GBP £27.00 AVAILABILITY
Out of stock | | BROWSE THE 2020 FALL CATALOG  Preview our FALL 2020 catalog, featuring 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | CREATIVE TIME BOOKSHaluk Akakçe: Sky is the LimitEdited by Peter Eleey. Introduction by Anne Pasternak. Text by Alex Farquharson. Interview by Jane &Louise Wilson.
In 2006, with the assistance of the New York public art agency Creative Time, the Turkish-born, London-based video artist Haluk Akakçe launched his monumental Las Vegas installation, Sky is the Limit, above four blocks of open-air casinos, kiosk vendors and vintage neon icons on the infamous strip, Fremont Street. Utilizing the latest technology to create a "realer than real" experience, Haluk Akakçe's work stages a confrontation between artificial and organic life, suggesting both the liberating and alienating power of technology, and evoking an alternate fluid sense of space and time. According to art critic Alex Farquharson, Akakçe opens a view into "a world of seemingly endless possibility…where it seems one may become anything simply by believing in its possibility."
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
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FORMAT: Paperback, 7 x 10 in. / 56 pgs / 42 color.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $39.95
GBP £27.00
ISBN: 9781928570042
PUBLISHER: Creative Time Books
AVAILABLE: 5/1/2007
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| Haluk Akakçe: Sky is the Limit Published by Creative Time Books.
Edited by Peter Eleey. Introduction by Anne Pasternak. Text by Alex Farquharson. Interview by Jane &Louise Wilson. | In 2006, with the assistance of the New York public art agency Creative Time, the Turkish-born, London-based video artist Haluk Akakçe launched his monumental Las Vegas installation, Sky is the Limit, above four blocks of open-air casinos, kiosk vendors and vintage neon icons on the infamous strip, Fremont Street. Utilizing the latest technology to create a "realer than real" experience, Haluk Akakçe's work stages a confrontation between artificial and organic life, suggesting both the liberating and alienating power of technology, and evoking an alternate fluid sense of space and time. According to art critic Alex Farquharson, Akakçe opens a view into "a world of seemingly endless possibility…where it seems one may become anything simply by believing in its possibility."
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