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Paperback, 7 x 9 in. / 100 pgs / 28 color / 7 bw. PUBLISHING STATUS
Pub Date 1/2/2004
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ISBN 9781881390343 TRADE
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| | | Image StreamEssays by George Baker, Gregg Bordowitz, Aruna D'Souza, Bill Horrigan, Bruce Jenkins, Helen Molesworth and Hamza Walker. Introduction by Sherri Geldin.
Image Stream brings together eight gallery-based film and video works, each of which explore the limits of this new medium, returning to narrative and changing conventional modes of viewing. Curator Helen Molesworth in this her first exhibition for the Wexner Art Center has selected works by Kutlug Ataman, Matthew Barney, Tacita Dean, Andrea Fraser, Pierre Huyghe, Neil Jordan, Donald Moffett and Lorna Simpson, each of which is accompanied by an individual short analytical essay. As Molesworth writes in her introduction, “the hygenic isolation of the white cube has slowly, but steadily, been overtaken by an increasingly promiscuous black box. As any turn-of-the-century member of the art public knows, darkened rooms and heavy black curtains signal the omnipresent film and/or video installation.” If an earlier generation of film and video artists were concerned with the formal properties of film, she argues, today's contemporary artists “willingly explore visual forms borrowed from both Hollywood and auteur film, as well as television, MTV, CNN and the theater. This profligate borrowing of mass-media forms has been accompanied by a strong impulse towards narrative.” It is what Molesworth calls this “reciprocity” between art world and mass culture that is a “defining characteristic of contemporary projected images.”
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USD $45.00 | CAN $63Pub Date: 10/6/2020
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|  | Edited by Paolo Cherchi Usai, Spencer Christiano, Catherine A. Surowiec, Timothy J. Wagner. Foreword by Tacita Dean, Christopher Nolan.GEORGE EASTMAN MUSEUMISBN: 9780935398311
USD $29.95 | CAN $39.95 UK £ 27Pub Date: 10/22/2019
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|  | Edited by Tony Nourmand. Introduction by Christopher Frayling. Design by Graham Marsh. Text by Alison Elangasinghe.REEL ART PRESSISBN: 9780957261044
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|  | THE SHOESTRING PUBLISHERISBN: 9788190472081
USD $35.00 | CAN $49.95 UK £ 30Pub Date: 8/20/2019
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|  | Edited by Simon Castets, Karen Marta. Text by Dina Iordanova, Steven Jacobs, Julie Boukobza, Chiswell Langhorne, Mike Cooter, et al.SWISS INSTITUTE/BALKAN PROJECTS/KARMA, NEW YORKISBN: 9780999505922
USD $25.00 | CAN $34.95 UK £ 22Pub Date: 3/19/2019
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|  | Edited by Stefania Ricci.SKIRA PARISISBN: 9788857238876
USD $70.00 | CAN $100Pub Date: 2/19/2019
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|  | By Mélanie van der Hoorn.NAI010 PUBLISHERSISBN: 9789462084568
USD $50.00 | CAN $69.95Pub Date: 3/19/2019
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|  | Edited with text by François Bovier, Adeena Mey, Thomas Schärer, Fred Truniger. Text by Renate Buschmann, Marcy Goldberg, Ute Holl, Ian Wooldridge.JRP|RINGIERISBN: 9783037645505
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|  | By Richard Baxstrom, Todd Meyers.WALTHER KöNIG, KöLNISBN: 9783941360570
USD $19.95 | CAN $27.95Pub Date: 11/20/2018
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|  | SPECTOR BOOKSISBN: 9783959052023
USD $35.00 | CAN $47.5Pub Date: 11/27/2018
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|  | Edited with text by Edith Bertrand. Text by Eric Perrin, Nadine Besse, Alain Renaud, Jon Fauer, Pascal Martin, Priska Morrissey, Marc Salomon.SILVANA EDITORIALEISBN: 9788836638598
USD $60.00 | CAN $79Pub Date: 10/8/2019
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FORMAT: Paperback, 7 x 9 in. / 100 pgs / 28 color / 7 b&w.
LIST PRICE: U.S. $19.95
LIST PRICE: CANADA $27.95
GBP £17.50
ISBN: 9781881390343
PUBLISHER: Wexner Center for the Arts
AVAILABLE: 1/2/2004
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| Image Stream Published by Wexner Center for the Arts.
Essays by George Baker, Gregg Bordowitz, Aruna D'Souza, Bill Horrigan, Bruce Jenkins, Helen Molesworth and Hamza Walker. Introduction by Sherri Geldin. | Image Stream brings together eight gallery-based film and video works, each of which explore the limits of this new medium, returning to narrative and changing conventional modes of viewing. Curator Helen Molesworth in this her first exhibition for the Wexner Art Center has selected works by Kutlug Ataman, Matthew Barney, Tacita Dean, Andrea Fraser, Pierre Huyghe, Neil Jordan, Donald Moffett and Lorna Simpson, each of which is accompanied by an individual short analytical essay. As Molesworth writes in her introduction, “the hygenic isolation of the white cube has slowly, but steadily, been overtaken by an increasingly promiscuous black box. As any turn-of-the-century member of the art public knows, darkened rooms and heavy black curtains signal the omnipresent film and/or video installation.” If an earlier generation of film and video artists were concerned with the formal properties of film, she argues, today's contemporary artists “willingly explore visual forms borrowed from both Hollywood and auteur film, as well as television, MTV, CNN and the theater. This profligate borrowing of mass-media forms has been accompanied by a strong impulse towards narrative.” It is what Molesworth calls this “reciprocity” between art world and mass culture that is a “defining characteristic of contemporary projected images.”
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