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| | PUBLISHER
Faulconer Gallery, Grinnell CollegeBOOK FORMAT
Hardcover, 8.5 x 11.25 in. / 68 pgs / 25 color. PUBLISHING STATUS
Pub Date 3/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 127 PRODUCT DETAILS
ISBN 9780977677924 TRADE
List Price: $25.00 CDN $30.00 AVAILABILITY
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| | | FAULCONER GALLERY, GRINNELL COLLEGEFrank Breuer: PolesEdited by Daniel Strong. Text by Marcus Verhagen.
As much influence as Bernd and Hilla Becher have had over the years, as founders of the Düsseldorf School and mentors to artists including Andreas Gursky, Candida Höfer, Thomas Ruff and Thomas Struth, among others, few of their progeny have worked in their most favorite form, the taxonomic study. Frank Breuer's portfolios of logos, warehouses, shipping containers and now, utility poles, are not just a tribute to his teachers. Critics have called them "distinctive and deeply relevant." The London Independent observed that "Breuer's classically restrained photographs...give the corporate logos of our consumerist society a strange, sculptural dignity." These utility poles, a series he began as an artist-in-residence at Harvard and continued in the midwest, represent his first American series.
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FORMAT: Hardcover, 8.5 x 11.25 in. / 68 pgs / 25 color.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $30
ISBN: 9780977677924
PUBLISHER: Faulconer Gallery, Grinnell College
AVAILABLE: 3/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2007 Page 127 | PRESS INQUIRIES
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| Frank Breuer: Poles Published by Faulconer Gallery, Grinnell College.
Edited by Daniel Strong. Text by Marcus Verhagen. As much influence as Bernd and Hilla Becher have had over the years, as founders of the Düsseldorf School and mentors to artists including Andreas Gursky, Candida Höfer, Thomas Ruff and Thomas Struth, among others, few of their progeny have worked in their most favorite form, the taxonomic study. Frank Breuer's portfolios of logos, warehouses, shipping containers and now, utility poles, are not just a tribute to his teachers. Critics have called them "distinctive and deeply relevant." The London Independent observed that "Breuer's classically restrained photographs...give the corporate logos of our consumerist society a strange, sculptural dignity." These utility poles, a series he began as an artist-in-residence at Harvard and continued in the midwest, represent his first American series.
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