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| | PUBLISHER St. Ann's PressBOOK FORMAT Clothbound, 10.75 x 11.25 in. / 192 pgs / 140 color. PUBLISHING STATUS Pub Date 11/2/2004 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2004 PRODUCT DETAILS ISBN 9780975330203 TRADE List Price: $65.00 CDN $75.00 AVAILABILITY Not available | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | ST. ANN'S PRESSMeridel Rubenstein: BelongingLos Alamos to Vietnam: Photoworks and InstallationsEssays by Lucy Lippard, Rebecca Solnit, and James Crump. Introduction by Terry Tempest Williams.
Meridel Rubenstein mixes mediums and metaphors to make art about our tenuous connection to place. Originally trained as a photographer, she combines disparate materials such as earthy palladium prints with cold steel mounts, transparent photographic imagery sandblasted onto glass, video imagery projected onto cast glass, and digital still imagery on floating vellum and hand-coated tree bark papers. A sense of fragility, transparency, and passage in her works underscores a possibility for change. Her complex narrative photoworks and installations derive from a sense of place, personal and collective history, and myth--the landscape of the cultural mind. Nine intersecting bodies of work compose this book. The Lowriders is a series of color photographs of the customized cars owned by Latinos from northern New Mexico. Critical Mass is a collaborative work about the making of the first bomb at Los Alamos. The intersecting of the world of the Native American and the Nuclear Scientist is told through the story of one woman who they met. Oppenheimer's Chair is a meditation on nature and the shedding of defensive postures after 50 years of the cold war. Also included is a series that stems from Rubenstein's 1997 trip to Vietnam, where she commenced a body of work tracing the trajectories of uprooting and replanting in relation to the Vietnam War.
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FORMAT: Clothbound, 10.75 x 11.25 in. / 192 pgs / 140 color. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $75 ISBN: 9780975330203 PUBLISHER: St. Ann's Press AVAILABLE: 11/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2004 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Meridel Rubenstein: Belonging Los Alamos to Vietnam: Photoworks and Installations Published by St. Ann's Press. Essays by Lucy Lippard, Rebecca Solnit, and James Crump. Introduction by Terry Tempest Williams. Meridel Rubenstein mixes mediums and metaphors to make art about our tenuous connection to place. Originally trained as a photographer, she combines disparate materials such as earthy palladium prints with cold steel mounts, transparent photographic imagery sandblasted onto glass, video imagery projected onto cast glass, and digital still imagery on floating vellum and hand-coated tree bark papers. A sense of fragility, transparency, and passage in her works underscores a possibility for change. Her complex narrative photoworks and installations derive from a sense of place, personal and collective history, and myth--the landscape of the cultural mind. Nine intersecting bodies of work compose this book. The Lowriders is a series of color photographs of the customized cars owned by Latinos from northern New Mexico. Critical Mass is a collaborative work about the making of the first bomb at Los Alamos. The intersecting of the world of the Native American and the Nuclear Scientist is told through the story of one woman who they met. Oppenheimer's Chair is a meditation on nature and the shedding of defensive postures after 50 years of the cold war. Also included is a series that stems from Rubenstein's 1997 trip to Vietnam, where she commenced a body of work tracing the trajectories of uprooting and replanting in relation to the Vietnam War.
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