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Hardcover, 10.75 x 8.5 in. / 128 pgs / 97 color. PUBLISHING STATUS
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| | | William Kentridge: Black Box/Chambre NoireEssays by Maria-Christina Villase“or and William Kentridge.
In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature stage's potential as sculpture, projection site, and installation, he began to imagine Black Box, the freestanding structure whose development and installation are documented here. A movement-filled, visually charged piece, it is peopled with two-dimensional mechanical figures, completed with scenic elements and lit by flickering video. A digital projector displays animated films created from Kentridge's charcoal drawings and sculptures. Kentridge considers his title term in three senses: a "black box" theater, a "chambre noire" as it relates to photography, and a "black box" flight data recorder, as used in airline disasters. The clandestine fourth reference may be to his ongoing exploration of German history and its convergence with South African history through Namibia, a former German colony that came under South African control prior to gaining its independence. Black Box evokes all that, and the joyful mechanics of pre-cinematic visual spectacles, magic lanterns, the camera obscura and the zoetrope. A unique and richly layered meditation on the act of seeing, on vision and experience, and on the nature of knowledge itself.
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| | | | |  | Edited by Anne McIlleron. Text by William Kentridge.WALTHER KöNIG, KöLNISBN: 9783960988656
USD $89.95 | CAN $125.93Pub Date: 3/16/2021
Forthcoming
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|  | Edited with text by Sébastien Delot, Josef Helfenstein. Text by Eva Falge, Ute Holl, William Kentridge, Leora Maltz-Leca.WALTHER KöNIG, KöLNISBN: 9783960986256
USD $55.00 | CAN $75Pub Date: 10/8/2019
Active | In stock
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|  | Text by David Freedberg, Karel Nel.WALTHER KöNIG, KöLNISBN: 9783960987147
USD $250.00 | CAN $350Pub Date: 12/15/2020
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|  | Edited with text by Vinzenz Brinkmann, Kristin Schrader. Text by Michaela Ott, Oliver Primavesi.KERBERISBN: 9783735604491
USD $65.00 | CAN $87Pub Date: 8/28/2018
Active | In stock
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|  | Edited with an introduction by Carlos Basualdo. Foreword by Federica Galloni. Text by Gabriele Guercio, Salvatore Settis.WALTHER KöNIG, KöLNISBN: 9783960981817
USD $50.00 | CAN $67.5Pub Date: 6/19/2018
Active | In stock
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|  | WALTHER KöNIG, KöLNISBN: 9783863359508
USD $29.95 | CAN $39.95Pub Date: 9/27/2016
Active | In stock
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|  | UCCA/KOENIG BOOKS/MARTA AND COSENTINOISBN: 9780996215602
USD $30.00 | CAN $40Pub Date: 3/28/2017
Active | In stock
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|  | Introduction by William Kentridge. Text by Peter Galison, William Kentridge, Catherine Meyburgh, Philip Miller.EDITIONS XAVIER BARRALISBN: 9782365110075
USD $125.00 | CAN $170Pub Date: 2/28/2013
Active | In stock
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FORMAT: Hardcover, 10.75 x 8.5 in. / 128 pgs / 97 color.
LIST PRICE: U.S. $45.00
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ISBN: 9780892073399
PUBLISHER: Guggenheim Museum Publications
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| William Kentridge: Black Box/Chambre Noire Published by Guggenheim Museum Publications.
Essays by Maria-Christina Villase“or and William Kentridge. | In the course of designing his recent production of Mozart's The Magic Flute, artist and animated filmmaker William Kentridge created a mechanized theater maquette. When he saw the miniature stage's potential as sculpture, projection site, and installation, he began to imagine Black Box, the freestanding structure whose development and installation are documented here. A movement-filled, visually charged piece, it is peopled with two-dimensional mechanical figures, completed with scenic elements and lit by flickering video. A digital projector displays animated films created from Kentridge's charcoal drawings and sculptures. Kentridge considers his title term in three senses: a "black box" theater, a "chambre noire" as it relates to photography, and a "black box" flight data recorder, as used in airline disasters. The clandestine fourth reference may be to his ongoing exploration of German history and its convergence with South African history through Namibia, a former German colony that came under South African control prior to gaining its independence. Black Box evokes all that, and the joyful mechanics of pre-cinematic visual spectacles, magic lanterns, the camera obscura and the zoetrope. A unique and richly layered meditation on the act of seeing, on vision and experience, and on the nature of knowledge itself.
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