| | BOOK FORMAT Paperback, 6 x 8 in. / 80 pgs / 40 bw / 10 duotone. PUBLISHING STATUS Pub Date 6/2/2004 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004 PRODUCT DETAILS ISBN 9780884541059 TRADE List Price: $20.00 CAD $27.95 GBP £17.50 AVAILABILITY In stock | TERRITORY WORLD | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | The Big NothingEssays by Ingrid Shaffner and Bennett Simpson. Foreword by Claudia Gould.
Conceptions of “nothing” are one of the driving themes of twentieth-century art. One thinks of Piet Mondrian's reductivist approach to abstraction, Marcel Duchamp's contention that art resides in ideas, not objects, Mark Rothko's painterly reach for the sublime, Andy Warhol's affirmations of the vacuity of Pop culture. The Big Nothing will focus on themes of nothing, nothingness and negation in contemporary art and culture, surveying the legacy of these and other manifestations of absence made manifest in contemporary art. Artist include Gareth James, Jutta Koether, Louise Lawler, Richard Prince, Yves Klein, Bernadette Corporation, John Miller and James Welling, among others. Given its broad connotations, “nothing” provides general audiences with immediate access to looking at and thinking about the art of today. Part of a pan-Philadelphia cultural event initiated by the ICA, in which the city gives itself over to the art of nothing.
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FORMAT: Paperback, 6 x 8 in. / 80 pgs / 40 b&w / 10 duotone. LIST PRICE: U.S. $20.00 LIST PRICE: CANADA $27.95 GBP £17.50 ISBN: 9780884541059 PUBLISHER: Institute of Contemporary Art, University of Pennsylvania AVAILABLE: 6/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2004 | PRESS INQUIRIES
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| The Big Nothing Published by Institute of Contemporary Art, University of Pennsylvania. Essays by Ingrid Shaffner and Bennett Simpson. Foreword by Claudia Gould. Conceptions of “nothing” are one of the driving themes of twentieth-century art. One thinks of Piet Mondrian's reductivist approach to abstraction, Marcel Duchamp's contention that art resides in ideas, not objects, Mark Rothko's painterly reach for the sublime, Andy Warhol's affirmations of the vacuity of Pop culture. The Big Nothing will focus on themes of nothing, nothingness and negation in contemporary art and culture, surveying the legacy of these and other manifestations of absence made manifest in contemporary art. Artist include Gareth James, Jutta Koether, Louise Lawler, Richard Prince, Yves Klein, Bernadette Corporation, John Miller and James Welling, among others. Given its broad connotations, “nothing” provides general audiences with immediate access to looking at and thinking about the art of today. Part of a pan-Philadelphia cultural event initiated by the ICA, in which the city gives itself over to the art of nothing.
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