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| | BOOK FORMAT
Paperback, 8 x 10 in. / 76 pgs / 40 color / 10 bw. PUBLISHING STATUS
Pub Date 3/2/2004
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2004 PRODUCT DETAILS
ISBN 9780884541042 TRADE
List Price: $25.00 CDN $30.00 AVAILABILITY
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WORLD | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Sarah MceneaneyEssays by Ingrid Schaffner, Elyse Gonzales, Eileen Neff and Rob Nixon. Foreword by Claudia Gould.
A painter diarist, Sarah McEneany brandishes a strong outsider undercurrent in her treatment of herself, her home and studio, and her Philadelphia neighborhood. With a naïve verisimilitude, she accounts for every detail in a colorful manner, but leaves her paintings flat and fantastical in the manner of the Persian, Indian and Early Renaissance art that inspires her. Florine Stettheimer, Reginald Marsh and Frida Kahlo also come to mind when considering her canvases, as they too are artists who have narrated their own lives, while in the process depicting life conducted in and around the studio. Included in this catalogue, which accompanies the first museum exhibition of McEneaney's paintings, are a lengthy essay by ICA Senior Curator Ingrid Schaffner, as well as numerous shorter essays on individual paintings.
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FORMAT: Paperback, 8 x 10 in. / 76 pgs / 40 color / 10 b&w.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $30
ISBN: 9780884541042
PUBLISHER: Institute of Contemporary Art, University of Pennsylvania
AVAILABLE: 3/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Sarah Mceneaney Published by Institute of Contemporary Art, University of Pennsylvania.
Essays by Ingrid Schaffner, Elyse Gonzales, Eileen Neff and Rob Nixon. Foreword by Claudia Gould. A painter diarist, Sarah McEneany brandishes a strong outsider undercurrent in her treatment of herself, her home and studio, and her Philadelphia neighborhood. With a naïve verisimilitude, she accounts for every detail in a colorful manner, but leaves her paintings flat and fantastical in the manner of the Persian, Indian and Early Renaissance art that inspires her. Florine Stettheimer, Reginald Marsh and Frida Kahlo also come to mind when considering her canvases, as they too are artists who have narrated their own lives, while in the process depicting life conducted in and around the studio. Included in this catalogue, which accompanies the first museum exhibition of McEneaney's paintings, are a lengthy essay by ICA Senior Curator Ingrid Schaffner, as well as numerous shorter essays on individual paintings.
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