Robert Capa

Hungarian American photographer Robert Capa (1913–54) lived a short but eventful life. Engaged in the highly dangerous occupation of combat and adventure photography, Capa risked his life many times for his reportage, and ultimately died while at work during the First Indochina War.
This volume traces the main stages of his career, featuring Capa’s most iconic works—images that now loom large in the canon of 20th-century photography. Not only a retrospective of Capa's work, the book also aims to reveal the photographer’s personality through more than 300 of his black-and-white images. Including several points of view of the same event on different occasions, as if to reproduce a movement of field-counter-field, the volume also conveys the cinematic character of his work.

Robert Capa’s Death in the Making was published in 1938 as a poignant tribute to the men and women, civilians and soldiers alike, fighting in Spain against Franco’s fascist insurrection. The book included only one year of images from the Republican position, but covered the spectrum of emotions of a civil war, from the initial excitement to the more harrowing realities of modern warfare. But over time, after World War II and rising anti-communist paranoia in the United States, association with the Spanish Civil War was a liability and the book became obscured. Today, however, Death in the Making has reached cult status, not least because copies are hard to find (particularly ones with Capa’s famous Falling Soldier image on the dust jacket), but also for its passionate call to defend democracy.

With new scans of all the images, this remastered facsimile of the original edition reproduces the original layout by photographer André Kertész, the original caption text by Capa and preface by writer Jay Allen. The muddy 1938 publication is entirely transformed by high-quality printing to reflect the beauty and pathos of the original intention. This edition also includes a new essay with new research on the making and the reception of the original book, and a complete checklist identifying the author, location and date of each image. The most important new information is that Robert Capa and Gerda Taro are not the only photographers in the book, but also included was work by their good friend and colleague Chim, later known as David Seymour.

Robert Capa is one of the most well-known photojournalists of the twentieth century. Born Endre Ernö Friedmann (Budapest, Hungary, October 22, 1913–Thai-Binh, Indochina, May 25, 1954) to a Jewish family of tailors, he studied in Berlin, then fled to Paris in 1933. Quickly gaining an international reputation for his photographs of the Spanish Civil War, he later escaped to New York in 1939. He covered World War II as an Allied photographer, cofounded Magnum Photos in 1947 (with Chim, among others), and made several books based on his photographs of travel in Europe, the USSR, and Israel. He died after stepping on a landmine in 1954.

Gerda Taro was one of the first women to be recognized as a photojournalist, and the first to be killed while reporting on war. Born Gerta Pohorylle in Stuttgart, Germany (August 1, 1910–Brunete, Spain, July 26, 1937) and raised in Leipzig in a middle-class Jewish family, she fled to Paris in 1933. She traveled back and forth from Paris to Spain for the first year of the Spanish Civil War, and while covering the battle of Brunete, she was struck by a tank and died.

Chim, born Dawid Szymin (Warsaw, Poland, November 20, 1911–Suez, Egypt, November 10, 1956), arrived in Paris in 1932 and within two years was a regular contributor to Regards with his photographs of the Popular Front. He covered the entirety of the Spanish Civil War and escaped France in 1939 for New York. He returned to Europe in 1947 and established himself as a foreign correspondent with the byline David Seymour. In 1956 he was killed while covering the Suez Crisis.