Published by Edition Patrick Frey. Text by Yann Chateigné Tytelman. Interview by Ayana Elizabeth Johnson, Hans Ulrich Obrist.
Swiss artist Claudia Comte (born 1983) is known for her sculptures of cactuses, coral and other plant life, which she carves from natural materials such as marble and wood, adding a layer of symbolism. This volume surveys her practice, reflecting on the havoc we've wrought on nature.
Published by JRP|Ringier. Edited with text by Fanni Fetzer. Text by Chus Martinez, Matthieu Poirier, Neville Wakefield.
Swiss artist Claudia Comte (born 1983) is best known for her site-specific installations featuring wooden sculptural forms set against abstract wall paintings and for her installation in Palm Springs, CA. This volume documents her most recent works as well as her first retrospective survey, 10 Rooms, 40 Walls, 1059 m3.
Published by Edition Patrick Frey. Text by Chris Sharp.
This book is a sort of exhibition space in which things get pieced together one by one on its blank pages, whose confined space gives rise to a playful reduction of the artworks. The pictures narrate an idea, as in a cartoon, except that the graphic works here which have inspired some of Claudia Comte's paintings, prints and murals return from their three-dimensional existence to fit into the two-dimensional medium of the book. In the rigorous play of visual combinations and permutations, the planes, lines and squares occupy a metrical space an absurdity that turns the book into a kind of two-dimensional sculpture. This artist's book is mathematically structured like a Cartesian coordinate system. The horizontal x-axis (abscissa) divides each page into two planes, while the fold down the middle of the book forms the vertical (ordinate) y-axis. This partitioning of the large-format (40 x 40 cm) book produces four smaller squares on each spread. The Cartesian coordinate system becomes a playful space in which Comte explores the possibilities of her sculptures and patterns as well as geometric operations such as translation, rotation, reflection and glide reflection. The resulting shapes change position, evolving into unique sculptures while remaining part of a larger pattern. They playfully evolve and revolve around the point of origin where the two axes meet, though always retaining their isometry. So the book can be read from all four sides: from the top and from the bottom, from the left and from the right.