| | BOOK FORMAT
Flexi, 8 x 10.5 in. / 240 pgs / 150 color. PUBLISHING STATUS
Pub Date 6/4/2024
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2024 p. 18 PRODUCT DETAILS
ISBN 9791254631386 TRADE
List Price: $35.00 CAD $50.00 GBP £30.00 AVAILABILITY
Not available | TERRITORY
WORLD | EXHIBITION SCHEDULEVenice, Italy
Peggy Guggenheim Collection
10/14/23–03/18/24
Venice, Italy
Peggy Guggenheim Collection
10/14/23–03/18/24
Venice, Italy
Peggy Guggenheim Collection
10/14/23–03/18/24 | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Marcel Duchamp and the Lure of the CopyEdited by Paul B. Franklin.
 Exploring duplicates with Duchamp through the contents of his “museum box”In all his work, French visionary Marcel Duchamp (1887–1968)—Dadaist, Surrealist and progenitor of conceptual art—challenged the traditional dichotomy between original and copy. By replicating his own creations, with variable dimensions and in limited editions, Duchamp radically redefined what constitutes an artwork and, by extension, the identity of the artist. This volume places at its center the Boite en valise No. 1 in the Peggy Guggenheim Collection. Tellingly signed “From or by Marcel Duchamp or Rrose Selavy,” the portable gallery contains 69 small-scale copies and color reproductions and photographs of the artist’s principal works with additions in pencil, watercolor and ink. The concepts of double, original, copy and replica are discussed and analyzed through numerous works from some of the world’s most important museums and several private collections.
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FORMAT: Flexi, 8 x 10.5 in. / 240 pgs / 150 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $50
GBP £30.00
ISBN: 9791254631386
PUBLISHER: Marsilio Arte
AVAILABLE: 6/4/2024
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
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| Marcel Duchamp and the Lure of the Copy Published by Marsilio Arte.
Edited by Paul B. Franklin. Exploring duplicates with Duchamp through the contents of his “museum box” In all his work, French visionary Marcel Duchamp (1887–1968)—Dadaist, Surrealist and progenitor of conceptual art—challenged the traditional dichotomy between original and copy. By replicating his own creations, with variable dimensions and in limited editions, Duchamp radically redefined what constitutes an artwork and, by extension, the identity of the artist. This volume places at its center the Boite en valise No. 1 in the Peggy Guggenheim Collection. Tellingly signed “From or by Marcel Duchamp or Rrose Selavy,” the portable gallery contains 69 small-scale copies and color reproductions and photographs of the artist’s principal works with additions in pencil, watercolor and ink. The concepts of double, original, copy and replica are discussed and analyzed through numerous works from some of the world’s most important museums and several private collections.
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