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| | | | CHARTA/GALERIE LELONGPetah CoyneText by Ann Wilson Llyod.
A single sculpture by Oklahoma-born Petah Coyne might include a dozen materials ranging from the baroque to the kitsch in character-pearl-headed hatpins, ribbons, silk flowers, candies, powder, tar and feathers. Resembling enormous sentient chandeliers, they evoke a love of domestic materials, fairy tale arcana and biomorphic proliferation. "I love it when they look past maintenance," Coyne has said of her sculptures, "like a plant on somebody's porch that's kind of lost its mind." Her diverse bodies of work-from the early hanging black sand sculptures to the current works in wax and silk-share a sense of simultaneous strength and fragility. Though often unwieldy in size, they all appear vulnerable and delicate. This artist's book reflects Coyne's dialogue with organic form-whether natural or artificial, sentimental or campy. Included is an essay by critic and Art in America editor Ann Wilson Lloyd.
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| | | | OF RELATED INTEREST |  | CHARTAISBN: 9788881585663
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| ART BOOKS & MUSEUM EXHIBITION CATALOGS: FORTHCOMING AND RECENT RELEASES |  | HAUSER & WIRTH PUBLISHERSISBN: 9783906915722
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FORMAT: Hardback, 6.75 x 9.5 in. / 88 pgs / 30 color.
LIST PRICE: U.S. $39.95
LIST PRICE: CANADA $50
ISBN: 9788881586844
PUBLISHER: Charta/Galerie Lelong
AVAILABLE: 11/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2008 Page 92 | PRESS INQUIRIES
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Customer Service: (800) 338-2665
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| Petah Coyne Published by Charta/Galerie Lelong.
Text by Ann Wilson Llyod. A single sculpture by Oklahoma-born Petah Coyne might include a dozen materials ranging from the baroque to the kitsch in character-pearl-headed hatpins, ribbons, silk flowers, candies, powder, tar and feathers. Resembling enormous sentient chandeliers, they evoke a love of domestic materials, fairy tale arcana and biomorphic proliferation. "I love it when they look past maintenance," Coyne has said of her sculptures, "like a plant on somebody's porch that's kind of lost its mind." Her diverse bodies of work-from the early hanging black sand sculptures to the current works in wax and silk-share a sense of simultaneous strength and fragility. Though often unwieldy in size, they all appear vulnerable and delicate. This artist's book reflects Coyne's dialogue with organic form-whether natural or artificial, sentimental or campy. Included is an essay by critic and Art in America editor Ann Wilson Lloyd.
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