| | PUBLISHER ChartaBOOK FORMAT Paperback, 8.25 x 11 in. / 112 pgs / 26 color / 40 bw. PUBLISHING STATUS Pub Date 2/1/2006 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 130 PRODUCT DETAILS ISBN 9788881585663 TRADE List Price: $39.95 CAD $50.00 AVAILABILITY Not available | | THE SPRING 2026 ARTBOOK | D.A.P. CATALOG  | | Preview our SPRING 2026 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTANeo Baroque!Edited by Micaela Giovannotti and Joyce B. Korotkin. Conversation with Robert Storr, Marianne Boesky, Shamin Momin, Alexis Rockman and Nicola Verlato.
Despite postmodernism's inclusive theory, much of its practice is aesthetically minimal. Enter the new Baroque, aglow with brilliant colors, dizzying arabesques and spectacular ornamentation in gold and sparkling crystals. It can also be a bit dark, with provocative narratives and difficult subject matter. The Neo Baroque is evolving radically differently from modernism: as a sensibility rather than a specific style. This genus of work and its practitioners--those considered here include Petah Coyne, Robert Longo, Alexis Rockman, Fred Tomaselli and Kehinde Wiley--offer a visual feast for the senses, and Neo Baroque! offers proof that the sensibility is infiltrating everything from painting, sculpture, video and photography to performance and installation, a dazzling new cultural signature of the times.
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FORMAT: Paperback, 8.25 x 11 in. / 112 pgs / 26 color / 40 b&w. LIST PRICE: U.S. $39.95 LIST PRICE: CANADA $50 ISBN: 9788881585663 PUBLISHER: Charta AVAILABLE: 2/1/2006 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2006 Page 130 | PRESS INQUIRIES
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| Neo Baroque! Published by Charta. Edited by Micaela Giovannotti and Joyce B. Korotkin. Conversation with Robert Storr, Marianne Boesky, Shamin Momin, Alexis Rockman and Nicola Verlato. Despite postmodernism's inclusive theory, much of its practice is aesthetically minimal. Enter the new Baroque, aglow with brilliant colors, dizzying arabesques and spectacular ornamentation in gold and sparkling crystals. It can also be a bit dark, with provocative narratives and difficult subject matter. The Neo Baroque is evolving radically differently from modernism: as a sensibility rather than a specific style. This genus of work and its practitioners--those considered here include Petah Coyne, Robert Longo, Alexis Rockman, Fred Tomaselli and Kehinde Wiley--offer a visual feast for the senses, and Neo Baroque! offers proof that the sensibility is infiltrating everything from painting, sculpture, video and photography to performance and installation, a dazzling new cultural signature of the times.
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