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Joseph Beuys: Every Man Is an Artist
Posters, Multiples and Videos
Text by Antonio d'Avossa, Nicoletta Ossanna Cavadini, Rainner Rappmann.
Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. From 1965 to 1985, Beuys produced almost 600 multiples in a variety of media, many of which incorporated felt (his signature material), and including graphic works, found objects, photographs, audiotapes and films. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
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FORMAT: Pbk, 9.5 x 9.5 in. / 192 pgs / 120 color / 72 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $50 ISBN: 9788836624010 PUBLISHER: Silvana Editoriale AVAILABLE: 7/31/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR ME
Joseph Beuys: Every Man Is an Artist Posters, Multiples and Videos
Published by Silvana Editoriale. Text by Antonio d'Avossa, Nicoletta Ossanna Cavadini, Rainner Rappmann.
Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. From 1965 to 1985, Beuys produced almost 600 multiples in a variety of media, many of which incorporated felt (his signature material), and including graphic works, found objects, photographs, audiotapes and films. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
