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Blue Kingfisher/Today Art MuseumBOOK FORMAT
Hardback, 10.75 x 14.25 in. / 213 pgs / 210 color / 100 bw. PUBLISHING STATUS
Pub Date 3/1/2008
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2008 p. 166 PRODUCT DETAILS
ISBN 9787541029912 TRADE
List Price: $90.00 CDN $110.00 AVAILABILITY
Not available | TERRITORY
NA LA ASIA AU/NZ | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | BLUE KINGFISHER/TODAY ART MUSEUMHong Lei : Chinese Artists of TodayText by Li Xianting, Zhu Qi, Liu Ding.
Photographer Hong Lei, who was born in 1960 in Changzhou, Jiangsu Province, fuses a variety of photographic techniques, including digital collage and hand dyeing. Drawing on the painting style of the Song Dynasty, which utilized round silk fans, Hong updates these familiar historical works by juxtaposing traditional elements with tropes and techniques drawn from advertising. One of his familiar symbols, for example, is taken from the popularity of bird imagery in Song Dynasty paintings--but Hong's birds are dead, and depicted in the super-slick, digitized language of a fashion ad. When asked about the meaning behind his grim symbols, Hong drops Martin Heidegger's quote, "I face reality with my eyes closed tight." This in-depth monograph includes essays by critics Li Xianting and Zhu Qi and artist Liu Ding.
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FORMAT: Hardback, 10.75 x 14.25 in. / 213 pgs / 210 color / 100 b&w.
LIST PRICE: U.S. $90.00
LIST PRICE: CANADA $110
ISBN: 9787541029912
PUBLISHER: Blue Kingfisher/Today Art Museum
AVAILABLE: 3/1/2008
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ | D.A.P. CATALOG: SPRING 2008 Page 166 | PRESS INQUIRIES
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| Hong Lei : Chinese Artists of Today Published by Blue Kingfisher/Today Art Museum.
Text by Li Xianting, Zhu Qi, Liu Ding. Photographer Hong Lei, who was born in 1960 in Changzhou, Jiangsu Province, fuses a variety of photographic techniques, including digital collage and hand dyeing. Drawing on the painting style of the Song Dynasty, which utilized round silk fans, Hong updates these familiar historical works by juxtaposing traditional elements with tropes and techniques drawn from advertising. One of his familiar symbols, for example, is taken from the popularity of bird imagery in Song Dynasty paintings--but Hong's birds are dead, and depicted in the super-slick, digitized language of a fashion ad. When asked about the meaning behind his grim symbols, Hong drops Martin Heidegger's quote, "I face reality with my eyes closed tight." This in-depth monograph includes essays by critics Li Xianting and Zhu Qi and artist Liu Ding.
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