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| |   |   | Sarah Sze: CentrifugeEdited with text by Okwui Enwezor. Text by Damian Lentini, Julie Mehretu, Zadie Smith.
Centrifuge is a new site-specific installation by New York–based artist Sarah Sze (born 1969) in the Middle Hall of the Haus der Kunst in Munich. The piece commences from a fixed point and dynamically morphs outward into the surrounding space, shifting in scale and density as its various components unravel. Both constructed and off-the-shelf objects and materials—ranging from mirrors, wood, salt, bamboo and stainless steel to archival pigment prints, projectors and ceramics—are arranged into a series of sculptural groupings. On her approach to sculpture, Sze states in an interview with Okwui Enwezor (curator of the show), "a work should be constantly in a state of flux in terms of how it exists in space, how it exists in time; it should be unclear whether it's in a process of becoming or a process of entropy."
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FORMAT: Pbk, 6.75 x 9.5 in. / 122 pgs / 36 color / 2 b&w. LIST PRICE: U.S. $29.95 LIST PRICE: CANADA $39.95 ISBN: 9783960983484 PUBLISHER: Walther König, Köln AVAILABLE: 10/23/2018 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: FALL 2018 Page 146 | PRESS INQUIRIES
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| Sarah Sze: Centrifuge Published by Walther König, Köln. Edited with text by Okwui Enwezor. Text by Damian Lentini, Julie Mehretu, Zadie Smith. Centrifuge is a new site-specific installation by New York–based artist Sarah Sze (born 1969) in the Middle Hall of the Haus der Kunst in Munich. The piece commences from a fixed point and dynamically morphs outward into the surrounding space, shifting in scale and density as its various components unravel. Both constructed and off-the-shelf objects and materials—ranging from mirrors, wood, salt, bamboo and stainless steel to archival pigment prints, projectors and ceramics—are arranged into a series of sculptural groupings. On her approach to sculpture, Sze states in an interview with Okwui Enwezor (curator of the show), "a work should be constantly in a state of flux in terms of how it exists in space, how it exists in time; it should be unclear whether it's in a process of becoming or a process of entropy."
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