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| | | | Terry Adkins: The Smooth, the Cut, and the AssembledText by Charles Gaines, Michael Brenson. Poetry by Robin Coste Lewis.
The work of American sculptor and musician Terry Adkins (1953–2014) often started with a theme or idea, illuminated by sculptural components that sometimes housed a performative element. The performative and sculptural aspects of his practice evolved in tandem, and utilized materials that had likely served another purpose, be they instruments, materials from his printmaking experiences or locally sourced items. This catalog accompanies Lévy Gorvy's first solo exhibition of Adkins' works, exploring the materiality of his sculptures. The exhibition was curated by Charles Gaines, a celebrated artist and longtime friend and collaborator of Adkins', who contributes an essay to this publication that explores the experience of viewing Adkins' sculptures. Also included are an essay by Michael Brenson and newly commissioned poetry by Robin Coste Lewis.
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| | | |  | PULITZER ARTS FOUNDATIONISBN: 9781646570058
USD $40.00 | CAN $56 UK £ 35Pub Date: 10/6/2020
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|  | LéVY GORVYISBN: 9781944379216
USD $40.00 | CAN $54 UK £ 35Pub Date: 6/12/2018
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|  | UNIVERSITY GALLERIES OF ILLINOIS STATE UNIVERSITYISBN: 9780945558378
USD $30.00 | CAN $40 UK £ 27Pub Date: 8/22/2017
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FORMAT: Hbk, 7.5 x 10.25 in. / 96 pgs / 47 color / 1 b&w.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
GBP £35.00
ISBN: 9781944379216
PUBLISHER: Lévy Gorvy
AVAILABLE: 6/12/2018
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2018 Page 146 | PRESS INQUIRIES
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| Terry Adkins: The Smooth, the Cut, and the Assembled Published by Lévy Gorvy.
Text by Charles Gaines, Michael Brenson. Poetry by Robin Coste Lewis. The work of American sculptor and musician Terry Adkins (1953–2014) often started with a theme or idea, illuminated by sculptural components that sometimes housed a performative element. The performative and sculptural aspects of his practice evolved in tandem, and utilized materials that had likely served another purpose, be they instruments, materials from his printmaking experiences or locally sourced items. This catalog accompanies Lévy Gorvy's first solo exhibition of Adkins' works, exploring the materiality of his sculptures. The exhibition was curated by Charles Gaines, a celebrated artist and longtime friend and collaborator of Adkins', who contributes an essay to this publication that explores the experience of viewing Adkins' sculptures. Also included are an essay by Michael Brenson and newly commissioned poetry by Robin Coste Lewis.
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