Terry Adkins: The Smooth, the Cut, and the Assembled
Text by Charles Gaines, Michael Brenson. Poetry by Robin Coste Lewis.
The work of American sculptor and musician Terry Adkins (1953–2014) often started with a theme or idea, illuminated by sculptural components that sometimes housed a performative element. The performative and sculptural aspects of his practice evolved in tandem, and utilized materials that had likely served another purpose, be they instruments, materials from his printmaking experiences or locally sourced items.
This catalog accompanies Lévy Gorvy's first solo exhibition of Adkins' works, exploring the materiality of his sculptures. The exhibition was curated by Charles Gaines, a celebrated artist and longtime friend and collaborator of Adkins', who contributes an essay to this publication that explores the experience of viewing Adkins' sculptures. Also included are an essay by Michael Brenson and newly commissioned poetry by Robin Coste Lewis.
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FORMAT: Hbk, 7.5 x 10.25 in. / 96 pgs / 47 color / 1 b&w. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $54 GBP £35.00 ISBN: 9781944379216 PUBLISHER: Lévy Gorvy AVAILABLE: 6/12/2018 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Terry Adkins: The Smooth, the Cut, and the Assembled
Published by Lévy Gorvy. Text by Charles Gaines, Michael Brenson. Poetry by Robin Coste Lewis.
The work of American sculptor and musician Terry Adkins (1953–2014) often started with a theme or idea, illuminated by sculptural components that sometimes housed a performative element. The performative and sculptural aspects of his practice evolved in tandem, and utilized materials that had likely served another purpose, be they instruments, materials from his printmaking experiences or locally sourced items.
This catalog accompanies Lévy Gorvy's first solo exhibition of Adkins' works, exploring the materiality of his sculptures. The exhibition was curated by Charles Gaines, a celebrated artist and longtime friend and collaborator of Adkins', who contributes an essay to this publication that explores the experience of viewing Adkins' sculptures. Also included are an essay by Michael Brenson and newly commissioned poetry by Robin Coste Lewis.
