Edited with text by Margarita Tupitsyn, Victor Tupitsyn. Introduction by David Morris. Text by Valerie Smith, et al.
A collective of artists, a gallery and a movement, APTART was a series of self-organized “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the making of a public in the absence of a public sphere.
The first comprehensive publication on APTART, this book presents extensive photographic documentation of all their activities alongside archival texts from contributing artists and documents from the time. Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement’s history and guiding concepts; and further analysis is provided by contributions from Alexandra Danilova and Elena Kuprina-Lyakhovich, Maja and Reuben Fowkes, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.
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FORMAT: Pbk, 9.5 x 12 in. / 240 pgs / 50 color / 100 b&w. LIST PRICE: U.S. $27.50 LIST PRICE: CANADA $37.5 ISBN: 9783960980230 PUBLISHER: Afterall Books AVAILABLE: 9/26/2017 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR
Published by Afterall Books. Edited with text by Margarita Tupitsyn, Victor Tupitsyn. Introduction by David Morris. Text by Valerie Smith, et al.
A collective of artists, a gallery and a movement, APTART was a series of self-organized “anti-shows” that took place in a private apartment and outdoor spaces in Moscow between 1982 and 1984. These covert and anarchic actions, which soon came into conflict with the Soviet authorities, represented a collective attempt to rethink the politics of exhibition-making and the making of a public in the absence of a public sphere.
The first comprehensive publication on APTART, this book presents extensive photographic documentation of all their activities alongside archival texts from contributing artists and documents from the time. Main essays by Margarita Tupitsyn and Victor Tupitsyn offer a detailed elucidation of the movement’s history and guiding concepts; and further analysis is provided by contributions from Alexandra Danilova and Elena Kuprina-Lyakhovich, Maja and Reuben Fowkes, Richard Goldstein, Sven Gundlakh, Ilya Kabakov, David Morris and Valerie Smith.
