In Woodlands, German photographer Mat Hennek (born 1969) presents portraits of trees, the results of numerous hikes through various forests in Europe and the US. Hennek sets out to discover extraordinary places in remote and often difficult-to-access areas, traveling for days on paths remote from human civilization. Hennek removes all spatial landmarks, alternately erasing the ground and horizon to unhinge any sense of direction. Light and shadow, pattern and structure build up to an impressionistic hymn--infinite, without a center, without beginning or end. As author Laureline Amanieux writes, “man is not needed in these works, as it is the viewer who becomes wholly integrated in the bosom of nature.” Through a graphic style that sublimates the landscape into pure abstraction, Hennek eliminates the border between painting and photography.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
 
Distributed by D.A.P.
FORMAT: Hbk, 13.5 x 14.25 in. / 96 pgs / 48 color. LIST PRICE: U.S. $75.00 LIST PRICE: CANADA $99 ISBN: 9783958291782 PUBLISHER: Steidl AVAILABLE: 6/27/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA ONLY
In Woodlands, German photographer Mat Hennek (born 1969) presents portraits of trees, the results of numerous hikes through various forests in Europe and the US. Hennek sets out to discover extraordinary places in remote and often difficult-to-access areas, traveling for days on paths remote from human civilization. Hennek removes all spatial landmarks, alternately erasing the ground and horizon to unhinge any sense of direction. Light and shadow, pattern and structure build up to an impressionistic hymn--infinite, without a center, without beginning or end.
As author Laureline Amanieux writes, “man is not needed in these works, as it is the viewer who becomes wholly integrated in the bosom of nature.” Through a graphic style that sublimates the landscape into pure abstraction, Hennek eliminates the border between painting and photography.