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| | | | Mat Hennek: Woodlands
In Woodlands, German photographer Mat Hennek (born 1969) presents portraits of trees, the results of numerous hikes through various forests in Europe and the US. Hennek sets out to discover extraordinary places in remote and often difficult-to-access areas, traveling for days on paths remote from human civilization. Hennek removes all spatial landmarks, alternately erasing the ground and horizon to unhinge any sense of direction. Light and shadow, pattern and structure build up to an impressionistic hymn--infinite, without a center, without beginning or end.
As author Laureline Amanieux writes, “man is not needed in these works, as it is the viewer who becomes wholly integrated in the bosom of nature.” Through a graphic style that sublimates the landscape into pure abstraction, Hennek eliminates the border between painting and photography.
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|  | STATUS: Out of stock indefinitely. | |
| | | |  | STEIDLISBN: 9783969991473
USD $85.00 | CAN $119Pub Date: 6/27/2023
Forthcoming
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|  | STEIDLISBN: 9783958296558
USD $55.00 | CAN $77Pub Date: 6/16/2020
Active | In stock
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FORMAT: Hbk, 13.5 x 14.25 in. / 96 pgs / 48 color.
LIST PRICE: U.S. $75.00
LIST PRICE: CANADA $99
ISBN: 9783958291782
PUBLISHER: Steidl
AVAILABLE: 6/27/2017
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2016 Page 136 | PRESS INQUIRIES
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Fax: (212) 627-9484
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| Mat Hennek: Woodlands Published by Steidl. In Woodlands, German photographer Mat Hennek (born 1969) presents portraits of trees, the results of numerous hikes through various forests in Europe and the US. Hennek sets out to discover extraordinary places in remote and often difficult-to-access areas, traveling for days on paths remote from human civilization. Hennek removes all spatial landmarks, alternately erasing the ground and horizon to unhinge any sense of direction. Light and shadow, pattern and structure build up to an impressionistic hymn--infinite, without a center, without beginning or end.
As author Laureline Amanieux writes, “man is not needed in these works, as it is the viewer who becomes wholly integrated in the bosom of nature.” Through a graphic style that sublimates the landscape into pure abstraction, Hennek eliminates the border between painting and photography.
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