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| | | | Mat Hennek: Silent Cities
German photographer Mat Hennek's unpeopled portraits of some of the world's most populous citiesIn Silent Cities, German photographer Mat Hennek (born 1969) presents portraits of some of the world's great cities—from New York, Los Angeles and London, to Tokyo, Munich and Abu Dhabi—yet all curiously lacking people.
Conceived and constructed by man as vessels for human activity, these metropolises are transformed by Hennek into monuments of silence: empty, sometimes eerie sites for rituals of work and recreation that are yet to take place.
Whether the shimmering windows of a Dallas office building, a lush Hong Kong garden of palms, blooms and fountains, the famed pastel terraced facades of Monaco or rows of trolleys outside the concrete bulk of Paris' Charles de Gaulle airport, Hennek's pictures demonstrate a consistent formal rigor and recast familiar environments as new sources for focus and reflection.
PRAISE AND REVIEWSWIRED Michael Hardy Prophetic Images of an Empty World From Before the Pandemic. |
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| | | |  | STEIDLISBN: 9783969991473
USD $85.00 | CAN $119Pub Date: 7/25/2023
Forthcoming
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|  | STEIDLISBN: 9783958296558
USD $55.00 | CAN $77Pub Date: 6/16/2020
Active | In stock
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FORMAT: Clth, 9.5 x 12.5 in. / 120 pgs / 80 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $77
ISBN: 9783958296558
PUBLISHER: Steidl
AVAILABLE: 6/16/2020
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA ONLY | D.A.P. CATALOG: SPRING 2020 | PRESS INQUIRIES
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| Mat Hennek: Silent Cities Published by Steidl. German photographer Mat Hennek's unpeopled portraits of some of the world's most populous cities In Silent Cities, German photographer Mat Hennek (born 1969) presents portraits of some of the world's great cities—from New York, Los Angeles and London, to Tokyo, Munich and Abu Dhabi—yet all curiously lacking people.
Conceived and constructed by man as vessels for human activity, these metropolises are transformed by Hennek into monuments of silence: empty, sometimes eerie sites for rituals of work and recreation that are yet to take place.
Whether the shimmering windows of a Dallas office building, a lush Hong Kong garden of palms, blooms and fountains, the famed pastel terraced facades of Monaco or rows of trolleys outside the concrete bulk of Paris' Charles de Gaulle airport, Hennek's pictures demonstrate a consistent formal rigor and recast familiar environments as new sources for focus and reflection.
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