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| | | | Dana Schutz: If It Appears in the DesertText by Jörg Heiser.
New York-based Dana Schutz is widely considered one of the most talented painters of her generation. As The New York Times' Holland Cotter wrote in 2007, “She's a terrific painter. From the start, her broad, sardonic, cartoon-expressionist style was prodigious but also focused. There was lots of splash, but the images were strong and centered. Her gallery shows were thematically tight without being programmatic, like a book of poems that reads as one poem. This kind of completeness is hard to achieve.” In this volume, Schutz takes on the still-life genre, coming up with dazzling, colorful paintings that are at once merry and ambiguous about the objects of our everyday lives. Thirteen recent paintings are presented, along with installation photographs from her recent exhibition at Contemporary Fine Arts, Kupfergraben. A conversation between the artist and Jörg Heiser lends additional insights into Schutz's pictorial compositions and working method.
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| | | |  | THE ROSE ART MUSEUMISBN: 9780976159339
USD $45.00 | CAN $60 UK £ 40Pub Date: 2/1/2006
Active | Out of stock
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FORMAT: Pbk, 9.25 x 12.75 in. / 40 pgs / 15 color / 3 b&w.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $79
ISBN: 9783931355487
PUBLISHER: Walther König, Köln
AVAILABLE: 3/1/2009
DISTRIBUTION: D.A.P.
RETAILER DISC: FLAT40
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2009 Page 100 | PRESS INQUIRIES
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| Dana Schutz: If It Appears in the Desert Published by Walther König, Köln.
Text by Jörg Heiser. New York-based Dana Schutz is widely considered one of the most talented painters of her generation. As The New York Times' Holland Cotter wrote in 2007, “She's a terrific painter. From the start, her broad, sardonic, cartoon-expressionist style was prodigious but also focused. There was lots of splash, but the images were strong and centered. Her gallery shows were thematically tight without being programmatic, like a book of poems that reads as one poem. This kind of completeness is hard to achieve.” In this volume, Schutz takes on the still-life genre, coming up with dazzling, colorful paintings that are at once merry and ambiguous about the objects of our everyday lives. Thirteen recent paintings are presented, along with installation photographs from her recent exhibition at Contemporary Fine Arts, Kupfergraben. A conversation between the artist and Jörg Heiser lends additional insights into Schutz's pictorial compositions and working method.
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