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Flexi, 5 x 9.5 in. / 144 pgs / 70 color. PUBLISHING STATUS
Pub Date 8/31/2011
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Catalog: FALL 2011 p. 122 PRODUCT DETAILS
ISBN 9783869841571 TRADE
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| | | Mihály Biró: Pathos in RedEdited by Peter Noever. Text by Kathrin Pokorny-Nagel, Michael Diers, Sebastian Hackenschmidt.
The designer Mihály Biró (1886-1948) was the graphic voice of Soviet communism in Hungary. He joined the Social Democratic cause early in life, and between 1910 and 1920 designed some of the most widely admired posters and illustrations of the era, for the SZDP (Hungarian Social Democratic Party) and then the Hungarian Soviet Republic. The advent of Miklós Horthy's fascist regime soon forced him to flee to Vienna, where he created The Horthy Portfolio (1920), a set of color lithographs that documented the atrocities of the Horthy regime. Alongside such political works, Biró also created posters for individual businesses and the booming Austrian film industry. He was soon forced to leave Austria, and relocated to Czechoslovakia, then to Paris, returning to Budapest one year before his death in 1948. This revelatory monograph surveys Biró's political posters, as well as commercial work, postcards, photographs and lithographs.
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FORMAT: Flexi, 5 x 9.5 in. / 144 pgs / 70 color.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $35
ISBN: 9783869841571
PUBLISHER: Moderne Kunst Nürnberg
AVAILABLE: 8/31/2011
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| Mihály Biró: Pathos in Red Published by Moderne Kunst Nürnberg.
Edited by Peter Noever. Text by Kathrin Pokorny-Nagel, Michael Diers, Sebastian Hackenschmidt. | The designer Mihály Biró (1886-1948) was the graphic voice of Soviet communism in Hungary. He joined the Social Democratic cause early in life, and between 1910 and 1920 designed some of the most widely admired posters and illustrations of the era, for the SZDP (Hungarian Social Democratic Party) and then the Hungarian Soviet Republic. The advent of Miklós Horthy's fascist regime soon forced him to flee to Vienna, where he created The Horthy Portfolio (1920), a set of color lithographs that documented the atrocities of the Horthy regime. Alongside such political works, Biró also created posters for individual businesses and the booming Austrian film industry. He was soon forced to leave Austria, and relocated to Czechoslovakia, then to Paris, returning to Budapest one year before his death in 1948. This revelatory monograph surveys Biró's political posters, as well as commercial work, postcards, photographs and lithographs.
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