Peter Fischli & David Weiss: 800 Views of Airports
800 Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel: the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.
Featured image is reproduced from Peter Fischli & David Weiss: 800 Views of Airports.
PRAISE AND REVIEWS
BOMB Magazine
Alain De Botton
Like all great artists, they pry our eyes open to new forms and hitherto unexpected beauty and interest. "There was no fog in London before Whistler painted it," remarked Oscar Wilde, and had he known the Swiss duo, he might have added, that there were far fewer airports in the world before Fischli and Weiss began to photograph them.
T: The New York Times Style Magazine
An extraordinary new book that collects 25 years of photos taken by the Swiss duo in airports around the world. It's a fitting endnote for Fischli/Weiss, whose deadpan art has long played in the negative spaces of everyday life.
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
 
Distributed by D.A.P.
FORMAT: Hbk, 7.75 x 11 in. / 408 pgs / 800 color. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $87 ISBN: 9783865609328 PUBLISHER: Walther König, Köln AVAILABLE: 9/30/2012 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA ONLY
Peter Fischli & David Weiss: 800 Views of Airports
Published by Walther König, Köln.
800 Views of Airports documents a lengthy series of work by Peter Fischli (born 1952) and David Weiss (1946-2012), comprising 1,010 photographs to date, all of which appear here complete for the first time. For this ongoing documentary project, the artistic duo photograph the airports they passed through in their travels around the world over nearly 25 years, in a quest for exotic banality throughout different cultures. Their images of these nondescript airports focus on the humdrum aspect of air travel: the fuel vehicles, the baggage trucks, the daily routines of airport workers, the long antiseptic corridors and sprawling tarmacs surrounded by panoramic views of empty vistas. Whether presenting a Lufthansa airplane sitting idle in a yellowy light, a Swiss Air plane waiting in a neon-haunted dusk or an Air France plane getting its belly filled in the dead of night, Fischli and Weiss’s images present the evanescence of any national identity when reduced to a symbol on a vertical stabilizer. 800 Views of Airports reveal the non-places encircling our world, and the non-journeys that have come to define our contemporary life in transit, while simultaneously offering carefully composed images that are strangely placid and restful.