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| |   |   | Robert Adams: Buildings in Colorado 1964-1980 & Rudolf Schwarz: Architecture and PhotographyText by Joshua Chuang, Wolfgang Pehnt.
This two-volume publication examines the early work of photographer Robert Adams (born 1937) in relation to the German architect Rudolf Schwarz (1897–1961). In a previously unpublished text, Adams reveals a close connection between his photography and the European architect. In the 1960s, on his only European tour, Adams focused specifically on Rudolf Schwarz's churches in Aachen and Cologne, which left a lasting mark on Adams and inspired his decision to become a photographer and his early choice of subject, the Denver suburbs. As Adams wrote, Schwarz's buildings "helped suggest to me, when I returned to America, that not just churches, but whole urban and suburban landscapes might be revealed as sacred if we brought to them a measure of the same passionate regard that Schwarz had brought to his specifically religious commissions."
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FORMAT: Slip, Hbk, 2 vols, 8 x 9 in. / 156 pgs / 106 b&w. LIST PRICE: U.S. $120.00 LIST PRICE: CANADA $160 ISBN: 9783863356538 PUBLISHER: Walther König, Köln AVAILABLE: 6/23/2015 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AFR | D.A.P. CATALOG: SPRING 2015 Page 109 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Robert Adams: Buildings in Colorado 1964-1980 & Rudolf Schwarz: Architecture and Photography Published by Walther König, Köln. Text by Joshua Chuang, Wolfgang Pehnt. This two-volume publication examines the early work of photographer Robert Adams (born 1937) in relation to the German architect Rudolf Schwarz (1897–1961). In a previously unpublished text, Adams reveals a close connection between his photography and the European architect. In the 1960s, on his only European tour, Adams focused specifically on Rudolf Schwarz's churches in Aachen and Cologne, which left a lasting mark on Adams and inspired his decision to become a photographer and his early choice of subject, the Denver suburbs. As Adams wrote, Schwarz's buildings "helped suggest to me, when I returned to America, that not just churches, but whole urban and suburban landscapes might be revealed as sacred if we brought to them a measure of the same passionate regard that Schwarz had brought to his specifically religious commissions."
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