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| | | | Jean-Michel Basquiat: XeroxEdited with text by Dieter Buchhart. Text by Christopher Stackhouse, Eric Robertson.
 Copy, paste: Basquiat's collaged Xerox paintings presage today's sampling aestheticsJean-Michel Basquiat: Xerox provides the first concentrated examination of the extraordinary body of work that the artist created using Xerox copies as his principal medium and compositional focal point. These immersive, collaged Xerox paintings epitomize Basquiat’s extraordinary instinct for visual language. Their raw, allover compositions incorporate recycled and transformed signs and markings from the artist’s everyday experiences, including motifs from his earlier artworks.
The intricate web of content in this series presages the copy-paste sampling characteristic of the subsequent internet and post-internet generations, positioning Basquiat as a pioneer of the pre-digital age.
Jean-Michel Basquiat (1960–88) grew up in Brooklyn. Notoriety came early, from his street paintings made under the tag SAMO. Later he stormed the gallery world, and became an icon of New York's vibrant early-’80s downtown scene, a friend to and collaborator with Andy Warhol and Francesco Clemente, and the cover boy for a 1985 New York Times Magazine story on the new art market. He died following a heroin overdose at 27.
"Quij" (1985) is reproduced from 'Jean-Michel Basquiat: Xerox.' |
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| | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 10/6/2019 An ode to Louis Armstrong, "King of the Zulus" (1984–85) is reproduced from Jean-Michel Basquiat: Xerox, Hatje Cantz's new, oversized Nahmad Contemporary exhibition catalog collecting the artist's collaged Xerox paintings. "Basquiat's art can be placed in a field of tension between Burroughs's cut-up technique, concrete poetry and the rise of rap in hip-hop," Dieter Burchart writes: "sampling and scratching, just like copy and paste, are part of Basquiat's artistic practice. His works seem like a 'language of rupture' or the concrete poetry of hip hop created using cut and paste; they offer the opportunity to 'experience information simultaneously,' as Laura Hoptman describes in reference to contemporary collage and assemblage. In Basquiat's work, the 'horizontal cloud of information' becomes a poetic condition." continue to blog | |  | SKIRAISBN: 9788876242649
USD $65.00 | CAN $85Pub Date: 7/12/2005
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|  | HATJE CANTZISBN: 9783775753319
USD $65.00 | CAN $86Pub Date: 12/13/2022
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|  | MFA PUBLICATIONS, MUSEUM OF FINE ARTS, BOSTONISBN: 9780878468713
USD $50.00 | CAN $69.95 UK £ 35Pub Date: 5/5/2020
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|  | ACTES SUD/COLLECTION LAMBERTISBN: 9782330126308
USD $33.00 | CAN $45Pub Date: 11/19/2019
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|  | GUGGENHEIM MUSEUMISBN: 9780892075485
USD $29.95 | CAN $39.95 UK £ 24.95Pub Date: 7/23/2019
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|  | HATJE CANTZ/NAHMAD CONTEMPORARYISBN: 9783775745857
USD $60.00 | CAN $85Pub Date: 10/8/2019
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|  | HATJE CANTZISBN: 9783775725934
USD $65.00 | CAN $87Pub Date: 11/30/2010
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FORMAT: Hbk, 11 x 12 in. / 200 pgs / 67 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $85
ISBN: 9783775745857
PUBLISHER: Hatje Cantz/Nahmad Contemporary
AVAILABLE: 10/8/2019
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2019 Page 18 | PRESS INQUIRIES
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| Jean-Michel Basquiat: Xerox Published by Hatje Cantz/Nahmad Contemporary.
Edited with text by Dieter Buchhart. Text by Christopher Stackhouse, Eric Robertson. Copy, paste: Basquiat's collaged Xerox paintings presage today's sampling aesthetics Jean-Michel Basquiat: Xerox provides the first concentrated examination of the extraordinary body of work that the artist created using Xerox copies as his principal medium and compositional focal point. These immersive, collaged Xerox paintings epitomize Basquiat’s extraordinary instinct for visual language. Their raw, allover compositions incorporate recycled and transformed signs and markings from the artist’s everyday experiences, including motifs from his earlier artworks.
The intricate web of content in this series presages the copy-paste sampling characteristic of the subsequent internet and post-internet generations, positioning Basquiat as a pioneer of the pre-digital age.
Jean-Michel Basquiat (1960–88) grew up in Brooklyn. Notoriety came early, from his street paintings made under the tag SAMO. Later he stormed the gallery world, and became an icon of New York's vibrant early-’80s downtown scene, a friend to and collaborator with Andy Warhol and Francesco Clemente, and the cover boy for a 1985 New York Times Magazine story on the new art market. He died following a heroin overdose at 27.
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