Edited with text by Stéphane Ibars. Text by Alain Lombard. Interview with Yvon Lambert.
How Basquiat transformed his sources and brought a raw, fresh energy to the art of painting
Jean-Michel Basquiat's (1960–88) formal vocabulary was inspired by the precedents of Picasso, Matisse and Twombly; he drew overtly on their fondness for primary colors, fragmented subjects, disturbing faces, dissonant colors and forms, and crudely crafted compositions or objects. Like them, he eschewed virtuosity and appealed instead to naivety and ungainliness, to restore raw energy to art.
Basquiat Remix looks at the artist's paintings alongside a range of works by Picasso, Matisse and Twombly from the Collection Lambert in Paris, as well as from private collections and major institutions. It celebrates his ability to mix and recombine sources, and to balance both visceral effect and self-awreness. The book includes an interview with Yvon Lambert in which he recounts his relationship with the artist.
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FORMAT: Hbk, 8.75 x 11.25 in. / 112 pgs / 80 color. LIST PRICE: U.S. $33.00 LIST PRICE: CANADA $45 ISBN: 9782330126308 PUBLISHER: Actes Sud/Collection Lambert AVAILABLE: 11/19/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR
How Basquiat transformed his sources and brought a raw, fresh energy to the art of painting
Published by Actes Sud/Collection Lambert. Edited with text by Stéphane Ibars. Text by Alain Lombard. Interview with Yvon Lambert.
How Basquiat transformed his sources and brought a raw, fresh energy to the art of painting
Jean-Michel Basquiat's (1960–88) formal vocabulary was inspired by the precedents of Picasso, Matisse and Twombly; he drew overtly on their fondness for primary colors, fragmented subjects, disturbing faces, dissonant colors and forms, and crudely crafted compositions or objects. Like them, he eschewed virtuosity and appealed instead to naivety and ungainliness, to restore raw energy to art.
Basquiat Remix looks at the artist's paintings alongside a range of works by Picasso, Matisse and Twombly from the Collection Lambert in Paris, as well as from private collections and major institutions. It celebrates his ability to mix and recombine sources, and to balance both visceral effect and self-awreness. The book includes an interview with Yvon Lambert in which he recounts his relationship with the artist.
