Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art. Rising to prominence with his inclusion in the 1996 exhibition Traffic, which introduced the concept of relational aesthetics, Gillick has since worked at the forefront of conceptual art by interrogating both the social forces of economics and technology and the attempts by artists to engage with these processes, notably through his visual commentary on American minimalism and its absorption by corporate architecture.
With 530 color illustrations, the book is an ample survey of Gillick’s recent work, offering a fresh insight into his oeuvre.
in stock $60.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
NEW YORK Showroom by Appointment Only 75 Broad Street, Suite 630 New York NY 10004 Tel 212 627 1999
LOS ANGELES Showroom by Appointment Only
818 S. Broadway, Suite 700 Los Angeles, CA 90014 Tel. 323 969 8985
ARTBOOK LLC D.A.P. | Distributed Art Publishers, Inc.
All site content Copyright C 2000-2017 by Distributed Art Publishers, Inc. and the respective publishers, authors, artists. For reproduction permissions, contact the copyright holders.
The D.A.P. Catalog www.artbook.com
Distributed by D.A.P.
FORMAT: Hbk, 10 x 12 in. / 400 pgs / 480 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $85 ISBN: 9783775745437 PUBLISHER: Hatje Cantz AVAILABLE: 7/23/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA
Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art. Rising to prominence with his inclusion in the 1996 exhibition Traffic, which introduced the concept of relational aesthetics, Gillick has since worked at the forefront of conceptual art by interrogating both the social forces of economics and technology and the attempts by artists to engage with these processes, notably through his visual commentary on American minimalism and its absorption by corporate architecture.
With 530 color illustrations, the book is an ample survey of Gillick’s recent work, offering a fresh insight into his oeuvre.
