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| |   |   | Liam Gillick: Half a ComplexText by Liam Gillick.
Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art. Rising to prominence with his inclusion in the 1996 exhibition Traffic, which introduced the concept of relational aesthetics, Gillick has since worked at the forefront of conceptual art by interrogating both the social forces of economics and technology and the attempts by artists to engage with these processes, notably through his visual commentary on American minimalism and its absorption by corporate architecture.
With 530 color illustrations, the book is an ample survey of Gillick’s recent work, offering a fresh insight into his oeuvre.
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| | | |  | HATJE CANTZISBN: 9783775745437 USD $60.00 | CAN $85Pub Date: 7/23/2019 Active | In stock
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FORMAT: Hbk, 10 x 12 in. / 400 pgs / 480 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $85 ISBN: 9783775745437 PUBLISHER: Hatje Cantz AVAILABLE: 7/23/2019 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA | D.A.P. CATALOG: FALL 2019 Page 160 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Liam Gillick: Half a Complex Published by Hatje Cantz. Text by Liam Gillick. Collecting documentation of Liam Gillick’s (born 1964) artworks, graphics, films and exhibitions since 2008, this substantial volume also features an extensive body of writings by the British-born, New York–based artist, who has also been a prolific theorist of contemporary art. Rising to prominence with his inclusion in the 1996 exhibition Traffic, which introduced the concept of relational aesthetics, Gillick has since worked at the forefront of conceptual art by interrogating both the social forces of economics and technology and the attempts by artists to engage with these processes, notably through his visual commentary on American minimalism and its absorption by corporate architecture.
With 530 color illustrations, the book is an ample survey of Gillick’s recent work, offering a fresh insight into his oeuvre.
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