| | PUBLISHER
Primary InformationBOOK FORMAT
Slip, pbk, 8.25 x 8.25 in. / 33 pgs / 1 poster. PUBLISHING STATUS
Pub Date 6/18/2019
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2019 p. 159 PRODUCT DETAILS
ISBN 9781732098657 SDNR40
List Price: $24.00 CDN $31.00 AVAILABILITY
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| | | PRIMARY INFORMATIONWomens WorkEdited by Alison Knowles, Annea Lockwood. Text by Beth Anderson, Ruth Anderson, Jackie Apple, Barbara Benary, Sari Dienes, Bici Forbes, Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Christina Kubisch, Carol Law, Mary Lucier, Lisa Mikulchik, Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Ann Williams, Julie Winter, Marilyn Wood.
 In 1975, Alison Knowles (born 1933), founding member of Fluxus, and experimental composer Annea Lockwood (born 1939) co-edited and self-published Womens Work, a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This superb facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues, by artists Beth Anderson, Ruth Anderson, Jackie Apple, Barbara Benary, Sari Dienes, Bici Forbes, Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Christina Kubisch, Carol Law, Mary Lucier, Lisa Mikulchik, Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Ann Williams, Julie Winter and Marilyn Wood. This is an important reissue, collecting as it does works in a field whose “classics” are typically confined to male-dominated publications.
Featured image is reproduced from 'Womens Work.'PRAISE AND REVIEWSThe Wire Womens Work is an intensely important, intensely thrilling work of feminist, musical scholarship. The Quietus Robert Barry Womens Work is the sort of publication that, for better or worse, today seems as relevant and alive as 40 years ago, and not a mere archival reissue. The various graphical and text scores, which Fluxus co-founder Alison Knowles and composer Annea Lockwood collected from 25 women composers— featuring Pauline Oliveros, Christina Kubisch, and the editors themselves, among others— are all vibrant pieces of art, inviting participation and delineating of the creativity and struggles of women in music. |
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FORMAT: Slip, pbk, 8.25 x 8.25 in. / 33 pgs / 1 poster.
LIST PRICE: U.S. $24.00
LIST PRICE: CANADA $31
ISBN: 9781732098657
PUBLISHER: Primary Information
AVAILABLE: 6/18/2019
DISTRIBUTION: D.A.P.
RETAILER DISC: SDNR40
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: NA ASIA | D.A.P. CATALOG: FALL 2019 Page 159 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Womens Work Published by Primary Information.
Edited by Alison Knowles, Annea Lockwood. Text by Beth Anderson, Ruth Anderson, Jackie Apple, Barbara Benary, Sari Dienes, Bici Forbes, Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Christina Kubisch, Carol Law, Mary Lucier, Lisa Mikulchik, Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Ann Williams, Julie Winter, Marilyn Wood. | In 1975, Alison Knowles (born 1933), founding member of Fluxus, and experimental composer Annea Lockwood (born 1939) co-edited and self-published Womens Work, a magazine of text-based and instructional scores written by women primarily for music and dance performance. The magazine appeared in two issues between 1975 and 1978. This superb facsimile edition, comprising a book and poster housed in a printed folder, gathers the work from both issues, by artists Beth Anderson, Ruth Anderson, Jackie Apple, Barbara Benary, Sari Dienes, Bici Forbes, Simone Forti, Wendy Greenberg, Heidi Von Gunden, Françoise Janicot, Christina Kubisch, Carol Law, Mary Lucier, Lisa Mikulchik, Pauline Oliveros, Takako Saito, Carolee Schneemann, Mieko Shiomi, Elaine Summers, Carole Weber, Ann Williams, Julie Winter and Marilyn Wood. This is an important reissue, collecting as it does works in a field whose “classics” are typically confined to male-dominated publications.
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