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Paperback, 9.5 x 11.25 in. / 160 pgs / 120 color. PUBLISHING STATUS
Pub Date 11/15/2006
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ISBN 9783905701647 TRADE
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NA LA ASIA AU/NZ AFR ME | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Liam Gillick: Factories in the SnowEssay by Lilian Haberer.
This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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|  | JRP|RINGIERISBN: 9783905701647
USD $45.00 | CAN $60Pub Date: 11/15/2006
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|  | JRP|RINGIERISBN: 9783905701012
USD $22.00 | CAN $30.5Pub Date: 1/15/2006
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USD $32.00 | CAN $42.5Pub Date: 6/2/2001
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FORMAT: Paperback, 9.5 x 11.25 in. / 160 pgs / 120 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
ISBN: 9783905701647
PUBLISHER: JRP|Ringier
AVAILABLE: 11/15/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: FALL 2006 Page 119 | PRESS INQUIRIES
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| Liam Gillick: Factories in the Snow Published by JRP|Ringier.
Essay by Lilian Haberer. This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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