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Paperback, 9.5 x 11.25 in. / 160 pgs / 120 color. PUBLISHING STATUS
Pub Date 11/15/2006
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ISBN 9783905701647 TRADE
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| | | Liam Gillick: Factories in the SnowEssay by Lilian Haberer.
This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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| | | |  | Text by Liam Gillick.HATJE CANTZISBN: 9783775745437
USD $60.00 | CAN $85Pub Date: 7/23/2019
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|  | Edited by Robert Eikmeyer.VERLAG FüR MODERNE KUNSTISBN: 9783941185463
USD $35.00 | CAN $47.5Pub Date: 4/30/2010
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|  | Essay by Lilian Haberer.JRP|RINGIERISBN: 9783905701647
USD $45.00 | CAN $60Pub Date: 11/15/2006
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|  | Edited by Lionel Bovier.JRP|RINGIERISBN: 9783905701012
USD $22.00 | CAN $30.5Pub Date: 1/15/2006
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|  | Artwork by Bridget Riley, Liam Gillick, Sarah Morris, Matthew Ritchie.PARKETTISBN: 9783907582114
USD $32.00 | CAN $42.5Pub Date: 6/2/2001
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FORMAT: Paperback, 9.5 x 11.25 in. / 160 pgs / 120 color.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $60
ISBN: 9783905701647
PUBLISHER: JRP|Ringier
AVAILABLE: 11/15/2006
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| Liam Gillick: Factories in the Snow Published by JRP|Ringier.
Essay by Lilian Haberer. | This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the thinking developed in both his sculptural work and his writings, as well as to his sharp visual sense of the structural and formal properties of his materials. Gillick appeared on the scene at the beginning of the 1990s, right in the middle of the YBA phenomenon, and has since had wide exposure in exhibitions like Documenta, Manifesta and the Venice Biennale, and in being nominated for the 2002 Turner prize.
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