Check out our Spring 2019 catalog, featuring more than 500 new books on art & culture. We welcome new publishers Arquine, Atelier Éditions, August Editions, The Design Museum, London, Eakins Press, Editions Patrick Frey, Fulgur Press, Kasmin, Lisson Gallery, Marciano Art Foundation, Marsilio Editori, Onomatopee and Ridinghouse to our list in 2019!
Tradition and Tendencies of Minimalism from 1950 to today
Edited by Renate Wiehager.
First published in 2006, and soon out of print, Minimalism and After is a now classic presentation of Minimalist and Postminimalist tendencies from the 1960s to the present day. The images in this hefty volume track some of Minimalism's major contributions: the essentially sculptural presence of the picture-object, coolly geometrical structures, works presented so that they relate to the space and the viewer, and a rejection of symbolic or narrative material. In-depth entries treat 190 artists, including 40 who were not included in the 2006 edition, and provide some 600 images of their work; those covered include established artists like Michael Heizer, Dan Graham and Robert Ryman and some of the younger crowd, including Liam Gillick and Michael Zahn. A new essay by Renate Wiehager offers a European account of the century-long development of abstract art from Adolf Hoelzel's 1906 class at the Stuttgart Academy to the present.
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FORMAT: Hbk, 9.75 x 11.75 in. / 632 pgs / 672 color / 166 b&w. LIST PRICE: U.S. $95.00 LIST PRICE: CANADA $115 ISBN: 9783775723862 PUBLISHER: Hatje Cantz AVAILABLE: 8/31/2010 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA
Minimalism and After Tradition and Tendencies of Minimalism from 1950 to today
Published by Hatje Cantz. Edited by Renate Wiehager.
First published in 2006, and soon out of print, Minimalism and After is a now classic presentation of Minimalist and Postminimalist tendencies from the 1960s to the present day. The images in this hefty volume track some of Minimalism's major contributions: the essentially sculptural presence of the picture-object, coolly geometrical structures, works presented so that they relate to the space and the viewer, and a rejection of symbolic or narrative material. In-depth entries treat 190 artists, including 40 who were not included in the 2006 edition, and provide some 600 images of their work; those covered include established artists like Michael Heizer, Dan Graham and Robert Ryman and some of the younger crowd, including Liam Gillick and Michael Zahn. A new essay by Renate Wiehager offers a European account of the century-long development of abstract art from Adolf Hoelzel's 1906 class at the Stuttgart Academy to the present.
