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Hardcover, 8.75 x 10.75 in. / 336 pgs / 300 color. PUBLISHING STATUS
Pub Date 11/15/2006
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| | | Minimalism and AfterTraditions and Tendencies in European and American Minimal Art from 1950 to the PresentEdited by Renate Wiehager. Essay by Claudia Seidel.
In their youth, Minimalism's elemental forms, serial accumulations and industrial materials argued consistently against abstract art's subjective gestures. Non-relational, non-hierarchical and anti-compositional were the words of the day. Despite all this, Minimalist work was and remains grounded in individual arguments, whether political, formal, art-reflective or purely aesthetic. Minimalism and After displays a broad spectrum of Minimalist work and explores the art world's continuing Minimalist tendencies from the 1960s to the present day, demonstrating the ways in which Minimal art has been understood and absorbed over decades and by generations. What young international artists might be better understood from the point of view of the history of Minimal art? Images here track the central criteria of Minimalism from today's perspective: the essentially sculptural presence of the picture-object, coolly geometrical structures, intuitively intelligible order and proportions, works presented so that they relate to the space and the viewer, rejecting a symbolic or narrative nature. Minimalism and After presents about 200 pieces by approximately 100 artists, including established players like Michael Heizer, Dan Graham and Robert Ryman and some of the younger crowd, including Liam Gillick and Michael Zahn. Essays consider national and stylistic contexts.
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USD $45.00 | CAN $57.5Pub Date: 10/24/2017
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USD $55.00 | CAN $70Pub Date: 6/21/2016
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USD $45.00 | CAN $57.5Pub Date: 4/14/2009
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USD $55.00 | CAN $70Pub Date: 5/19/2015
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|  | Edited by Massimiliano Gioni. Contributions by Richard Prince.SKIRAISBN: 9788857232386
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|  | Edited by Diane Venet. Text by Barbara Rose, Adrien Goetz.SKIRAISBN: 9788857211565
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USD $60.00 | CAN $78Pub Date: 11/11/2008
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USD $60.00 | CAN $78Pub Date: 10/19/2010
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FORMAT: Hardcover, 8.75 x 10.75 in. / 336 pgs / 300 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $65
ISBN: 9783775718288
PUBLISHER: Hatje Cantz
AVAILABLE: 11/15/2006
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| Minimalism and After
Traditions and Tendencies in European and American Minimal Art from 1950 to the Present Published by Hatje Cantz.
Edited by Renate Wiehager. Essay by Claudia Seidel. | In their youth, Minimalism's elemental forms, serial accumulations and industrial materials argued consistently against abstract art's subjective gestures. Non-relational, non-hierarchical and anti-compositional were the words of the day. Despite all this, Minimalist work was and remains grounded in individual arguments, whether political, formal, art-reflective or purely aesthetic. Minimalism and After displays a broad spectrum of Minimalist work and explores the art world's continuing Minimalist tendencies from the 1960s to the present day, demonstrating the ways in which Minimal art has been understood and absorbed over decades and by generations. What young international artists might be better understood from the point of view of the history of Minimal art? Images here track the central criteria of Minimalism from today's perspective: the essentially sculptural presence of the picture-object, coolly geometrical structures, intuitively intelligible order and proportions, works presented so that they relate to the space and the viewer, rejecting a symbolic or narrative nature. Minimalism and After presents about 200 pieces by approximately 100 artists, including established players like Michael Heizer, Dan Graham and Robert Ryman and some of the younger crowd, including Liam Gillick and Michael Zahn. Essays consider national and stylistic contexts.
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