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| | | Singular Forms (Sometimes Repeated)Art from 1951 to the PresentEssays by Lisa Dennison, Nancy Spector, Deyan Dudjic, Andrea Codrington, John Hanhardt, Mark Taylor, Gia Kourlas and Drew Daniel.
Singular Forms (Sometimes Repeated) examines the impulse toward reduction, restraint, and lucidity in postwar art. Drawing on the Guggenheim's exceptional holdings of minimalist painting and singular sculpture, Singular Forms begins with Robert Rauschenberg's historic White Painting (1951), a stark, monochrome canvas. This seminal work establishes twin trajectories in the development of contemporary art: the elimination of all extraneous details to achieve an art of pure, essential form, and the attention to issues of perception. After a prologue including other examples of radical, monochrome paintings by Ellsworth Kelly, Frank Stella, and Ad Reinhardt, Singular Forms explores how these parallel artistic strategies were manifest in Minimalist and Conceptual art of the 1960s and 70s through the work of Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, and Lawrence Weiner, among others. Minimalism's impact on subsequent generations of contemporary artists begins with Postminimalism, which utilized the movement's deliberate paucity of formal means to explore a range of concerns including process, the dematerialization of the object, the performative nature of art, and the structural properties of light. Artists such as Bruce Nauman, Richard Serra, James Turrell, and Richard Long are included in this section. What follows are artists schooled in the deconstructivist tendencies of Postmodernism--such as Robert Gober, Felix Gonzalez-Torres, and Roni Horn--who resuscitated Minimalism as a style, infusing its unitary, nonreferential forms with content to bring to the fore trenchant cultural issues. Singular Forms concludes with recent work that shares the look of classic Minimalist art, but uses it to communicate deeply personal, political, or poetic messages. Also examined is the reach of Minimalism and Conceptualism beyond the visual arts into film, choreography, music, design, and architecture.
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| | | | FORTHCOMING AND NEW: ART |  | Introduction by Bruna Roccasalva. Text by Helga Christoffersen, Jean-Pierre Criqui, Hendrik Folkerts, Aram Moshayedi, Joanna Zielin?ska.MOUSSE PUBLISHINGISBN: 9788867493319
USD $32.00 | CAN $45Pub Date: 2/19/2019
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|  | Text by William Southworth, Anna Slaczka, Jan van Campen, Menno Fitski, et al.NAI010 PUBLISHERS/RIJKSMUSEUMISBN: 9789071450945
USD $55.00 | CAN $72.5Pub Date: 4/25/2017
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|  | Edited by Frits Scholten.NAI010 PUBLISHERS/RIJKSMUSEUMISBN: 9789071450907
USD $55.00 | CAN $72.5Pub Date: 4/25/2017
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|  | NAI010 PUBLISHERS/RIJKSMUSEUMISBN: 9789491714900
USD $40.00 | CAN $54Pub Date: 6/27/2017
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|  | Edited by Peter Stohler, Petra Giezendanner, and Anja Gubelmann.LARS MüLLER PUBLISHERSISBN: 9783037785478
USD $45.00 | CAN $60Pub Date: 3/27/2018
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|  | By Annamaria Petrioli.SKIRAISBN: 9788884910172
USD $50.00 | CAN $65Pub Date: 2/1/2002
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|  | By Francesco Bonami.SKIRAISBN: 9788876243660
USD $80.00 | CAN $100Pub Date: 1/31/2006
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|  | By David Adjaye, Jeffrey Deitch, Massimiliano Gioni. Contributions by Brendan Dugan.SKIRAISBN: 9788857229843
USD $65.00 | CAN $85Pub Date: 3/29/2016
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|  | By Douglas Dreishpoon. Contributions by Holly E. Hughes, Mariann W. Smith, Susana Tejada.SKIRAISBN: 9788857210407
USD $65.00 | CAN $85Pub Date: 12/13/2011
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|  | By Karin Hellandsjo.SKIRAISBN: 9788861309449
USD $75.00 | CAN $95Pub Date: 9/29/2009
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|  | By Karin Hellandsjo.SKIRAISBN: 9788857208626
USD $80.00 | CAN $100Pub Date: 10/25/2011
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|  | Edited by Mary Angela Schroth. Preface by Salam Atta Sabri. Contributions by Silvia Naef, Assim Abdul Amir.SKIRAISBN: 9788857218762
USD $85.00 | CAN $105Pub Date: 4/8/2014
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FORMAT: Hardcover, 9 x 10 in. / 250 pgs / illustrated throughout
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ISBN: 9780892073085
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| Singular Forms (Sometimes Repeated)
Art from 1951 to the Present Published by Guggenheim Museum Publications.
Essays by Lisa Dennison, Nancy Spector, Deyan Dudjic, Andrea Codrington, John Hanhardt, Mark Taylor, Gia Kourlas and Drew Daniel. | Singular Forms (Sometimes Repeated) examines the impulse toward reduction, restraint, and lucidity in postwar art. Drawing on the Guggenheim's exceptional holdings of minimalist painting and singular sculpture, Singular Forms begins with Robert Rauschenberg's historic White Painting (1951), a stark, monochrome canvas. This seminal work establishes twin trajectories in the development of contemporary art: the elimination of all extraneous details to achieve an art of pure, essential form, and the attention to issues of perception. After a prologue including other examples of radical, monochrome paintings by Ellsworth Kelly, Frank Stella, and Ad Reinhardt, Singular Forms explores how these parallel artistic strategies were manifest in Minimalist and Conceptual art of the 1960s and 70s through the work of Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Agnes Martin, and Lawrence Weiner, among others. Minimalism's impact on subsequent generations of contemporary artists begins with Postminimalism, which utilized the movement's deliberate paucity of formal means to explore a range of concerns including process, the dematerialization of the object, the performative nature of art, and the structural properties of light. Artists such as Bruce Nauman, Richard Serra, James Turrell, and Richard Long are included in this section. What follows are artists schooled in the deconstructivist tendencies of Postmodernism--such as Robert Gober, Felix Gonzalez-Torres, and Roni Horn--who resuscitated Minimalism as a style, infusing its unitary, nonreferential forms with content to bring to the fore trenchant cultural issues. Singular Forms concludes with recent work that shares the look of classic Minimalist art, but uses it to communicate deeply personal, political, or poetic messages. Also examined is the reach of Minimalism and Conceptualism beyond the visual arts into film, choreography, music, design, and architecture.
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