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Clth, 7.25 x 8.5 in. / 224 pgs / 95 color. PUBLISHING STATUS
Pub Date 3/1/2022
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Catalog: SPRING 2020 p. 76 PRODUCT DETAILS
ISBN 9781733688949 TRADE
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| | | Dance Dance Film EssaysBy Douglas Crimp. Edited by Karen Kelly, Barbara Schroeder. Introduction by Lynne Cooke.
 Previously uncollected dance writings from the legendary art critic who defined the Pictures Generation, in a handsome clothbound editionPioneering AIDS activist, art critic, educator and curator Douglas Crimp is known for the fluidity and acuity of his writing on an array of passions. His book AIDS: Cultural Analysis/Cultural Activism (1987) deconstructed the art world’s complicated and mostly disheartening responses to the AIDS crisis; On the Museum’s Ruins (1993) explored postmodernist art practices in relation to the politics of institutions; and Before Pictures (2016), a brilliant combination of memoir and criticism, chronicled Crimp’s first decade in 1970s New York.
This new book collects the critic’s incisive pieces on dance (a lifelong interest) and dance on film, which, according to Artforum, “galvanized the field and synthesized histories of ballet, modern dance and postmodern performance.” Written from 2006 to 2010, these in-depth essays are devoted to choreographers and filmmakers such as Charles Atlas, Trisha Brown, Merce Cunningham, Tacita Dean, Anne Teresa de Keersmaeker and Yvonne Rainer. Before his death in July 2019, Crimp penned a new essay specifically for this book that probes the idea and definition of the “dance film.”
This beautifully designed clothbound volume, which shows Crimp as an outstanding and ever-evolving writer, includes an introduction by curator Lynne Cooke, who co-curated Crimp’s landmark 2010 show at the Museo Reina Sofia, Mixed Use, Manhattan.
Douglas Crimp (1944–2019) is famed for his scholarly contributions to the fields of postmodern theory and art, institutional critique, dance, film, queer theory and feminist theory. His writings are marked by his desire to merge the often disjunctive worlds of politics, art and academia. From 1977 to 1990, he was the managing editor of the journal October. Before his death, Crimp was Fanny Knapp Allen Professor of Art History and Professor of Visual and Cultural Studies at the University of Rochester, Rochester, New York.
Featured image is reproduced from 'Dance Dance Film Essays.' |
|  | STATUS: Forthcoming | 3/1/2022 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
| | | FORTHCOMING AND NEW: MUSIC AND PERFORMING ARTS |  | Edited by Christine Peters, Dieta Sixt.SPECTOR BOOKSISBN: 9783940064363
USD $29.00 | CAN $39.5Pub Date: 9/1/2013
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|  | Text by Nathalie Herschdorfer.STEIDLISBN: 9783958298927
USD $45.00 | CAN $63Pub Date: 3/1/2022
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|  | Edited with text by André Mesquita. Text by Adriana Banana, David M. Sperling, Susan Rosenberg, Babette Mangolte, Yvonne Rainer, Trisha Brown.MUSEU DE ARTE DE SãO PAULOISBN: 9788531000836
USD $50.00 | CAN $70 UK £ 45Pub Date: 10/27/2020
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|  | By Douglas Crimp. Edited by Karen Kelly, Barbara Schroeder. Introduction by Lynne Cooke.DANCING FOXES PRESS/GALERIE BUCHHOLZISBN: 9781733688949
USD $34.95 | CAN $48.95 UK £ 30Pub Date: 3/1/2022
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USD $39.36 | CAN $55.5Pub Date: 10/22/2019
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|  | SPECTOR BOOKS/NATIONALGALERIE, STAATLICHE MUSEEN ZU BERLINISBN: 9783959052689
USD $50.00 | CAN $67.5Pub Date: 12/17/2019
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|  | Edited with text by Samantha Friedman, Jodi Hauptman. Text by Lynn Garafola, Michelle Greet, Michelle Harvey, Richard Meyer, Kevin Moore.THE MUSEUM OF MODERN ARTISBN: 9781633450820
USD $55.00 | CAN $75Pub Date: 4/23/2019
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|  | GREGORY R. MILLER & CO.ISBN: 9781941366196
USD $29.95 | CAN $45 UK £ 27Pub Date: 5/5/2020
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|  | INVENTORY PRESS / INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PHILADELPHIAISBN: 9781941753163
USD $35.00 | CAN $49.95 UK £ 30Pub Date: 5/21/2019
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|  | Edited by Roos Gortzak, Quinn Latimer.WALTHER KöNIG, KöLNISBN: 9783960983958
USD $39.95 | CAN $55Pub Date: 3/19/2019
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|  | Text by Ryan N. Dennis, Jennifer Doyle, Cynthia Oliver, Amy L. Powell, Sandra Ruiz.KRANNERT ART MUSEUM/PROJECT ROW HOUSESISBN: 9781883015503
USD $25.00 | CAN $34.95 UK £ 22Pub Date: 2/19/2019
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FORMAT: Clth, 7.25 x 8.5 in. / 224 pgs / 95 color.
LIST PRICE: U.S. $34.95
LIST PRICE: CANADA $48.95
GBP £30.00
ISBN: 9781733688949
PUBLISHER: Dancing Foxes Press/Galerie Buchholz
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| Dance Dance Film Essays Previously uncollected dance writings from the legendary art critic who defined the Pictures Generation, in a handsome clothbound edition Published by Dancing Foxes Press/Galerie Buchholz.
By Douglas Crimp. Edited by Karen Kelly, Barbara Schroeder. Introduction by Lynne Cooke. | Pioneering AIDS activist, art critic, educator and curator Douglas Crimp is known for the fluidity and acuity of his writing on an array of passions. His book AIDS: Cultural Analysis/Cultural Activism (1987) deconstructed the art world’s complicated and mostly disheartening responses to the AIDS crisis; On the Museum’s Ruins (1993) explored postmodernist art practices in relation to the politics of institutions; and Before Pictures (2016), a brilliant combination of memoir and criticism, chronicled Crimp’s first decade in 1970s New York.
This new book collects the critic’s incisive pieces on dance (a lifelong interest) and dance on film, which, according to Artforum, “galvanized the field and synthesized histories of ballet, modern dance and postmodern performance.” Written from 2006 to 2010, these in-depth essays are devoted to choreographers and filmmakers such as Charles Atlas, Trisha Brown, Merce Cunningham, Tacita Dean, Anne Teresa de Keersmaeker and Yvonne Rainer. Before his death in July 2019, Crimp penned a new essay specifically for this book that probes the idea and definition of the “dance film.”
This beautifully designed clothbound volume, which shows Crimp as an outstanding and ever-evolving writer, includes an introduction by curator Lynne Cooke, who co-curated Crimp’s landmark 2010 show at the Museo Reina Sofia, Mixed Use, Manhattan.
Douglas Crimp (1944–2019) is famed for his scholarly contributions to the fields of postmodern theory and art, institutional critique, dance, film, queer theory and feminist theory. His writings are marked by his desire to merge the often disjunctive worlds of politics, art and academia. From 1977 to 1990, he was the managing editor of the journal October. Before his death, Crimp was Fanny Knapp Allen Professor of Art History and Professor of Visual and Cultural Studies at the University of Rochester, Rochester, New York.
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