| | BOOK FORMAT Clth, 7.25 x 8.5 in. / 224 pgs / 95 color. PUBLISHING STATUS Pub Date 6/22/2021 Forthcoming DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2020 p. 76 PRODUCT DETAILS ISBN 9781733688949 TRADE List Price: $34.95 CDN $48.95 GBP £30.00 AVAILABILITY Awaiting stock | | BROWSE THE 2021 SPRING CATALOG  Preview our SPRING 2021 catalog, featuring more than 400 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Dance Dance Film EssaysBy Douglas Crimp. Edited by Karen Kelly, Barbara Schroeder. Introduction by Lynne Cooke.
 Previously uncollected dance writings from the legendary art critic who defined the Pictures Generation, in a handsome clothbound edition Pioneering AIDS activist, art critic, educator and curator Douglas Crimp is known for the fluidity and acuity of his writing on an array of passions. His book AIDS: Cultural Analysis/Cultural Activism (1987) deconstructed the art world’s complicated and mostly disheartening responses to the AIDS crisis; On the Museum’s Ruins (1993) explored postmodernist art practices in relation to the politics of institutions; and Before Pictures (2016), a brilliant combination of memoir and criticism, chronicled Crimp’s first decade in 1970s New York.
This new book collects the critic’s incisive pieces on dance (a lifelong interest) and dance on film, which, according to Artforum, “galvanized the field and synthesized histories of ballet, modern dance and postmodern performance.” Written from 2006 to 2010, these in-depth essays are devoted to choreographers and filmmakers such as Charles Atlas, Trisha Brown, Merce Cunningham, Tacita Dean, Anne Teresa de Keersmaeker and Yvonne Rainer. Before his death in July 2019, Crimp penned a new essay specifically for this book that probes the idea and definition of the “dance film.”
This beautifully designed clothbound volume, which shows Crimp as an outstanding and ever-evolving writer, includes an introduction by curator Lynne Cooke, who co-curated Crimp’s landmark 2010 show at the Museo Reina Sofia, Mixed Use, Manhattan.
Douglas Crimp (1944–2019) is famed for his scholarly contributions to the fields of postmodern theory and art, institutional critique, dance, film, queer theory and feminist theory. His writings are marked by his desire to merge the often disjunctive worlds of politics, art and academia. From 1977 to 1990, he was the managing editor of the journal October. Before his death, Crimp was Fanny Knapp Allen Professor of Art History and Professor of Visual and Cultural Studies at the University of Rochester, Rochester, New York.
Featured image is reproduced from 'Dance Dance Film Essays.' |
|  | STATUS: Forthcoming | 6/22/2021 This title is not yet published in the U.S. To pre-order or receive notice when the book is available, please email orders @ artbook.com | |
| | | FORTHCOMING AND NEW: MUSIC AND PERFORMING ARTS |  | Edited by Christine Peters, Dieta Sixt.SPECTOR BOOKSISBN: 9783940064363 USD $29.00 | CAN $39.5Pub Date: 9/1/2013 Active | In stock
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|  | By Douglas Crimp. Edited by Karen Kelly, Barbara Schroeder. Introduction by Lynne Cooke.DANCING FOXES PRESS/GALERIE BUCHHOLZISBN: 9781733688949 USD $34.95 | CAN $48.95 UK £ 30Pub Date: 6/22/2021 Forthcoming
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FORMAT: Clth, 7.25 x 8.5 in. / 224 pgs / 95 color. LIST PRICE: U.S. $34.95 LIST PRICE: CANADA $48.95 GBP £30.00 ISBN: 9781733688949 PUBLISHER: Dancing Foxes Press/Galerie Buchholz AVAILABLE: 6/22/2021 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Forthcoming AVAILABILITY: Awaiting stock TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2020 Page 76 | INFO AS OF: May 14, 2019 | PRESS INQUIRIES
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| Dance Dance Film Essays Previously uncollected dance writings from the legendary art critic who defined the Pictures Generation, in a handsome clothbound edition Published by Dancing Foxes Press/Galerie Buchholz. By Douglas Crimp. Edited by Karen Kelly, Barbara Schroeder. Introduction by Lynne Cooke. | Pioneering AIDS activist, art critic, educator and curator Douglas Crimp is known for the fluidity and acuity of his writing on an array of passions. His book AIDS: Cultural Analysis/Cultural Activism (1987) deconstructed the art world’s complicated and mostly disheartening responses to the AIDS crisis; On the Museum’s Ruins (1993) explored postmodernist art practices in relation to the politics of institutions; and Before Pictures (2016), a brilliant combination of memoir and criticism, chronicled Crimp’s first decade in 1970s New York.
This new book collects the critic’s incisive pieces on dance (a lifelong interest) and dance on film, which, according to Artforum, “galvanized the field and synthesized histories of ballet, modern dance and postmodern performance.” Written from 2006 to 2010, these in-depth essays are devoted to choreographers and filmmakers such as Charles Atlas, Trisha Brown, Merce Cunningham, Tacita Dean, Anne Teresa de Keersmaeker and Yvonne Rainer. Before his death in July 2019, Crimp penned a new essay specifically for this book that probes the idea and definition of the “dance film.”
This beautifully designed clothbound volume, which shows Crimp as an outstanding and ever-evolving writer, includes an introduction by curator Lynne Cooke, who co-curated Crimp’s landmark 2010 show at the Museo Reina Sofia, Mixed Use, Manhattan.
Douglas Crimp (1944–2019) is famed for his scholarly contributions to the fields of postmodern theory and art, institutional critique, dance, film, queer theory and feminist theory. His writings are marked by his desire to merge the often disjunctive worlds of politics, art and academia. From 1977 to 1990, he was the managing editor of the journal October. Before his death, Crimp was Fanny Knapp Allen Professor of Art History and Professor of Visual and Cultural Studies at the University of Rochester, Rochester, New York.
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