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CONTEMPORARY ART MOVEMENTS

PUBLISHER
Inventory Press / Institute of Contemporary Art, University of Philadelphia

BOOK FORMAT
Paperback, 7.25 x 9.25 in. / 226 pgs / 100 color.

PUBLISHING STATUS
Pub Date
Active

DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2019 p. 144   

PRODUCT DETAILS
ISBN 9781941753163 TRADE
List Price: $35.00 CDN $49.95 GBP £30.00

AVAILABILITY
In stock

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INVENTORY PRESS / INSTITUTE OF CONTEMPORARY ART, UNIVERSITY OF PHILADELPHIA

Endless Shout

Edited with text by Anthony Elms. Text by Raúl de Nieves, Cynthia Oliver, The Otolith Group, taisha paggett. Conversations with George Lewis, Jennie C. Jones, Charles Gaines, Fred Moten, Wadada Leo Smith.

Endless Shout

Endless Shout asks how, why and where performance and improvisation can take place inside a museum. The book documents a six-month series of experimental performances organized by the Institute of Contemporary Art, University of Pennsylvania, where five participants—Raúl de Nieves, Danielle Goldman, George Lewis, The Otolith Group and taisha paggett—collectively led a series of improvisation experiments. These include Miya Masaoka’s A Line Becomes a Circle, which pays tribute to Shiki Masaoka, a subversive Japanese haiku writer; jumatatu m. poe and Jerome “Donte” Beacham’s Let ‘im Move You, addressing the history of J-Sette, a dance form popularized at historically black colleges; and A Recital for Terry Admins by composer George Lewis. The book includes an essay by curator Anthony Elms, conversations with Jennie C. Jones and Wadada Leo Smith on themes of rhythm, rehearsal and improvisation, plus new works created specifically for the book, such as a script by The Otolith Group on blackness and digital color correction.


Featured image is reproduced from 'Endless Shout.'

Endless Shout

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