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| | | | OSMOS Magazine: Issue 12Edited by Cay Sophie Rabinowitz.
OSMOS Magazine is “an art magazine about the use and abuse of photography,” explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections—some traditional, such as “Portfolio,” “Stories” and “Reportage”—and others more idiosyncratic, such as “Eye of the Beholder,” where gallerists discuss the talents they showcase; and “Means to an End,” on the side effects of non-artistic image production. This issue, OSMOS Magazine #12, with a stunning cover by conceptual photographer Bing Wright, features an essay by Peter Weibel on interface technology in the film work of Kathryn Bigelow, a portfolio on Peter Funch, Simon Leung’s survey of recent work by Lincoln Tobier, and rare documentation about Ursula Block’s infamous record store and gallery, gelbe MUSIK, founded in 1981 as the Berlin outlet for experimental sound art and music.
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| FORTHCOMING AND NEW: JOURNALS, MAGAZINES, AND PERIODICALS | | OSMOSISBN: 9780990698081
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FORMAT: Pbk, 8.5 x 11 in. / 96 pgs / illustrated throughout.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $34.5
GBP £22.00
ISBN: 9780986166594
PUBLISHER: Osmos
AVAILABLE: 7/25/2017
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2017 Page 78 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| OSMOS Magazine: Issue 12 Published by Osmos.
Edited by Cay Sophie Rabinowitz. OSMOS Magazine is “an art magazine about the use and abuse of photography,” explains founder and editor Cay Sophie Rabinowitz (formerly of Parkett and Fantom). The magazine is divided into thematic sections—some traditional, such as “Portfolio,” “Stories” and “Reportage”—and others more idiosyncratic, such as “Eye of the Beholder,” where gallerists discuss the talents they showcase; and “Means to an End,” on the side effects of non-artistic image production. This issue, OSMOS Magazine #12, with a stunning cover by conceptual photographer Bing Wright, features an essay by Peter Weibel on interface technology in the film work of Kathryn Bigelow, a portfolio on Peter Funch, Simon Leung’s survey of recent work by Lincoln Tobier, and rare documentation about Ursula Block’s infamous record store and gallery, gelbe MUSIK, founded in 1981 as the Berlin outlet for experimental sound art and music.
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