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| | | | Terry Winters: Patterns in a Chromatic FieldText by Suzanne Hudson.
Terry Winters: Patterns in a Chromatic Field unveils a new body of work by the celebrated abstract painter. With these 17 paintings, reproduced here for the first time, Winters (born 1949) further develops his research into the optical and psychological capacities of oil paint. His layering of color and form echoes the abstracting processes of contemporary science and technology, allowing each canvas to open up new avenues of perception and physical experience. As Suzanne Hudson explains in the book's essay, Winters' paintings are "wholly intended works, based not upon pre-existing matrices or a-compositional methods but on necessities that accumulate and progress as the painting is brought into being." Along with Hudson's essay, the book features extensive illustrations, including full-scale details of the canvases, as well as new photographs of the Winters studio in upstate New York.
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FORMAT: Clth, 9.25 x 11.75 in. / 76 pgs / 40 color / 3 b&w.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $35
ISBN: 9781880146811
PUBLISHER: Matthew Marks Gallery
AVAILABLE: 7/31/2014
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
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| Terry Winters: Patterns in a Chromatic Field Published by Matthew Marks Gallery.
Text by Suzanne Hudson. Terry Winters: Patterns in a Chromatic Field unveils a new body of work by the celebrated abstract painter. With these 17 paintings, reproduced here for the first time, Winters (born 1949) further develops his research into the optical and psychological capacities of oil paint. His layering of color and form echoes the abstracting processes of contemporary science and technology, allowing each canvas to open up new avenues of perception and physical experience. As Suzanne Hudson explains in the book's essay, Winters' paintings are "wholly intended works, based not upon pre-existing matrices or a-compositional methods but on necessities that accumulate and progress as the painting is brought into being." Along with Hudson's essay, the book features extensive illustrations, including full-scale details of the canvases, as well as new photographs of the Winters studio in upstate New York.
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