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Decode BooksBOOK FORMAT
Clth, 13.75 x 10.75 in. / 76 pgs / 37 color. PUBLISHING STATUS
Pub Date 8/31/2013
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Not available | EXHIBITION SCHEDULEWolverhampton Gallery, UK
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ClampArt, 11/13 | | BROWSE THE 2020 FALL CATALOG  Preview our FALL 2020 catalog, featuring 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | DECODE BOOKSLori Nix: The CityText by Barbara Pollack.
 Over the past eight years, Lori Nix (born 1969) has created meticulously detailed model environments and then photographed them--locations within a fictional city that celebrate modern culture, knowledge and innovation. But her monuments of civilization are abandoned, in a state of ruin where nature has begun to repopulate the spaces. “I am fascinated, maybe even a little obsessed, with the idea of the apocalypse. In addition to my childhood experiences growing up with natural disasters in Kansas, I also watched disaster flicks in the 1970s. Each of these experiences has greatly influenced my photographic work.” Nix considers herself a “faux landscape photographer” and spends months building the complex spaces before photographing them. As critic Sidney Lawrence wrote in Art in America: “Oddly endearing, terrifying and often electrifyingly plausible, [Nix’s tableaux] prod us to ponder the fact that, like it or not, our fate is uncertain.”
Featured image is reproduced from Lori Nix: The City.PRAISE AND REVIEWSphoto-eye BLOG David Ondrik The cover image, Library, is stunning and tells you everything you need to know about the rest of the images contained within. The titular library is in the midst of prolonged decay; three trees, possibly aspens, are growing up from the ground, fed natural light and presumably water, through a gaping hole in the roof of the structure. The decay of the library itself is in various stages: some of the art on the wall isn't holding up too well, and the walls themselves are discoloring. Dust covers everything, and library chairs are scattered as if they were hastily abandoned before the unknown cataclysm that precipitated the abandonment, and thus decay, of the place. OUT Magazine 'I grew up with the ethic, "Work hard and hopefully something good comes of it,"' says Nix, a photojournalist turned-artist whose very good, often post-apocalyptic dioramas are built by hand, taking seven months each to complete. The work is bleak in content but not in character: Destroyed bar stools lie alongside brightly colored, long-disused pinball machines; the head of a stone lion is surrounded by lush foliage; and a bleak, blue-red sky echoes more Rothko than Gernica. She may be obsessed with the apocalypse, but Nix retains an artist's eye for color. |
| | | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 7/23/2013 Photographer Lori Nix constructs her post-apocalyptic models from ephemeral materials like foam core, balsa wood and colored paper, along with the occasional store-bought prop. "Bar" (2009), is reproduced from The City, her fascinating new monograph from Decode Books, in which essayist Barbara Pollack writes, "While this and other of Nix's pictures are obviously a commentary on global warming and a freakish nature set loose by human error, her technique elevates her work beyond didactic environmental causes. It makes me a bit sad that she goes to all this work, with all the effort that goes into building each diorama, only to destroy them after the photograph is taken. Just as she builds from scratch worlds that look as if they are being destroyed or are already destroyed, she builds in order to destroy. All that is left is the photograph." continue to blog | FORTHCOMING AND RECENT PHOTOGRAPHY BOOKS |  | Edited with introduction by Randy Kennedy. Conversations with Hugh Edwards, Nan Goldin, Susan Meiselas.KARMA BOOKS, NEW YORKISBN: 9781949172454
USD $35.00 | CAN $49 UK £ 30Pub Date: 1/26/2021
Forthcoming
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|  | Edited by Michael Shulman, Tony Nourmand. Foreword by Eli Reed.REEL ART PRESSISBN: 9781909526778
USD $59.95 | CAN $84.95Pub Date: 11/17/2020
Active | In stock
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|  | Text by Christopher Bonanos, Christopher George.DAMIANI/INTERNATIONAL CENTER OF PHOTOGRAPHYISBN: 9788862086950
USD $39.95 | CAN $55.95Pub Date: 4/7/2020
Active | In stock
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|  | THE MUSEUM OF MODERN ART, NEW YORKISBN: 9781633451049
USD $55.00 | CAN $77Pub Date: 2/25/2020
Active | In stock
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|  | Text by Robin Muir.NATIONAL PORTRAIT GALLERY, LONDONISBN: 9781855147720
USD $49.95 | CAN $69.95Pub Date: 5/12/2020
Active | In stock
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|  | Edited by Matthieu Humery. Text by Javier Cercas, Sylvie Aubenas, Annie Leibovitz, François Pinault, Wim Wenders.MARSILIOISBN: 9788829704200
USD $65.00 | CAN $92 UK £ 57Pub Date: 8/25/2020
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|  | Text by Kerry Brougher, Andy Grundberg, Anne W. Tucker.STEIDLISBN: 9783958296695
USD $125.00 | CAN $175Pub Date: 2/11/2020
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|  | Edited with text by Sarah Hermanson Meister. Foreword by Peter W. Kunhardt Jr., Glenn D. Lowry. Text by Nicole Fleetwood, Bryan Stevenson.STEIDL/THE GORDON PARKS FOUNDATIONISBN: 9783958296961
USD $40.00 | CAN $56Pub Date: 6/16/2020
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|  | Edited by Michael Shulman, Tony Nourmand. Foreword by Studs Terkel.REEL ART PRESSISBN: 9781909526709
USD $59.95 | CAN $84.95Pub Date: 10/26/2021
Forthcoming
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|  | Text by Robert Adams, William Blake, Emily Dickinson.STEIDLISBN: 9783958296848
USD $60.00 | CAN $85Pub Date: 2/9/2021
Forthcoming
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|  | STEIDLISBN: 9783958293069
USD $30.00 | CAN $42Pub Date: 11/10/2020
Active | Out of stock
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|  | By Hank O’Neal.STEIDLISBN: 9783958297012
USD $50.00 | CAN $69.95Pub Date: 2/16/2021
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FORMAT: Clth, 13.75 x 10.75 in. / 76 pgs / 37 color.
LIST PRICE: U.S. $60.00
LIST PRICE: CANADA $70
ISBN: 9780983394235
PUBLISHER: Decode Books
AVAILABLE: 8/31/2013
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| Lori Nix: The City Published by Decode Books.
Text by Barbara Pollack. | Over the past eight years, Lori Nix (born 1969) has created meticulously detailed model environments and then photographed them--locations within a fictional city that celebrate modern culture, knowledge and innovation. But her monuments of civilization are abandoned, in a state of ruin where nature has begun to repopulate the spaces. “I am fascinated, maybe even a little obsessed, with the idea of the apocalypse. In addition to my childhood experiences growing up with natural disasters in Kansas, I also watched disaster flicks in the 1970s. Each of these experiences has greatly influenced my photographic work.” Nix considers herself a “faux landscape photographer” and spends months building the complex spaces before photographing them. As critic Sidney Lawrence wrote in Art in America: “Oddly endearing, terrifying and often electrifyingly plausible, [Nix’s tableaux] prod us to ponder the fact that, like it or not, our fate is uncertain.”
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