“Writing comes up from under my skin,” writes Brandon LaBelle. “It creeps into my sleep, to tense my fingers; I am plunged into it, as a space for capturing a new voice, for figuring a new body: to take an empty page and to fill it, with the day to day.” LaBelle’s work as an artist and theorist focuses on the interrelation between the sonic arts, popular culture and theory, using mainly site-specific sound performances. The second volume in Errant Bodies’ Doormats series Diary of an Imaginary Egyptian is LaBelle’s attempt to engage the events of the Arab Spring through the diary form, in which personal memories are conjoined with broader cultural reflections on American imperialism and revolution. Written between February and June of 2011, Diary of an Imaginary Egyptian is an attempt to outline what LaBelle calls “an agency of the intimate.”
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FORMAT: Pbk, 4.5 x 7 in. / 112 pgs. LIST PRICE: U.S. $11.00 LIST PRICE: CANADA $16.5 ISBN: 9780982743973 PUBLISHER: Errant Bodies/Doormats AVAILABLE: 2/28/2013 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by Errant Bodies/Doormats. By Brandon LaBelle.
“Writing comes up from under my skin,” writes Brandon LaBelle. “It creeps into my sleep, to tense my fingers; I am plunged into it, as a space for capturing a new voice, for figuring a new body: to take an empty page and to fill it, with the day to day.” LaBelle’s work as an artist and theorist focuses on the interrelation between the sonic arts, popular culture and theory, using mainly site-specific sound performances. The second volume in Errant Bodies’ Doormats series Diary of an Imaginary Egyptian is LaBelle’s attempt to engage the events of the Arab Spring through the diary form, in which personal memories are conjoined with broader cultural reflections on American imperialism and revolution. Written between February and June of 2011, Diary of an Imaginary Egyptian is an attempt to outline what LaBelle calls “an agency of the intimate.”
