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| | | | THE AMERICAN-SCANDINAVIAN FOUNDATIONMunch|Warhol and the Multiple ImageEdited by Pari Stave. Text by Patricia G. Berman. Foreword by Edward P. Gallagher.
Edvard Munch (1863–1944) and Andy Warhol (1928–1987), two of the most prolific and inventive printmakers of the twentieth century, are brought together in this volume, which examines four lithographic series Munch produced at the turn of the century--“The Scream,” “Madonna,” “The Brooch. Eva Mudocci” and “Self-Portrait with Skeleton Arm”--and a little-known but extraordinary series of unpublished silkscreens created by Warhol in 1984 that appropriate and re-envision Munch’s motifs. The comparison reveals remarkable affinities between the two artists: both Munch and Warhol were preoccupied with themes of anxiety and alienation, ideal beauty, sex and mortality, and both skillfully mined the iconic power of the image, crafting their myths in self-portraits and in life. Published to coincide with an exhibition at Scandinavia House: The Nordic Center in America in New York, Munch/Warhol includes 75 color reproductions, and marks the sesquicentennial of Edvard Munch’s birth.
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FORMAT: Hbk, 11 x 10 in. / 88 pgs / 75 color / 5 b&w.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9780971949386
PUBLISHER: The American-Scandinavian Foundation
AVAILABLE: 5/31/2013
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: *not available | D.A.P. CATALOG: SPRING 2013 Page 124 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Munch|Warhol and the Multiple Image Published by The American-Scandinavian Foundation.
Edited by Pari Stave. Text by Patricia G. Berman. Foreword by Edward P. Gallagher. Edvard Munch (1863–1944) and Andy Warhol (1928–1987), two of the most prolific and inventive printmakers of the twentieth century, are brought together in this volume, which examines four lithographic series Munch produced at the turn of the century--“The Scream,” “Madonna,” “The Brooch. Eva Mudocci” and “Self-Portrait with Skeleton Arm”--and a little-known but extraordinary series of unpublished silkscreens created by Warhol in 1984 that appropriate and re-envision Munch’s motifs. The comparison reveals remarkable affinities between the two artists: both Munch and Warhol were preoccupied with themes of anxiety and alienation, ideal beauty, sex and mortality, and both skillfully mined the iconic power of the image, crafting their myths in self-portraits and in life. Published to coincide with an exhibition at Scandinavia House: The Nordic Center in America in New York, Munch/Warhol includes 75 color reproductions, and marks the sesquicentennial of Edvard Munch’s birth.
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