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ChartaBOOK FORMAT
Paperback, 6.5 x 9.5 in. / 120 pgs. PUBLISHING STATUS
Pub Date 1/15/2005
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Catalog: SPRING 2005 p. 92 PRODUCT DETAILS
ISBN 9788881584895 TRADE
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Not available | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | CHARTADiversitiesEurope and the OthersEdited by Lóránd Hegyi. Essays by Carlos Basualdo, Anna Detheridge, Yuko Hasegawa and Jean-Hubert Martin.
What is the role of the contemporary artist in a reality that interprets cultures as conflicting parties and Europe as a closed space? How does his identity develop in relation to European cultures and those that exist elsewhere in the world? Does there exist an acceptable comparative footing that permits otherwise explosive diversities to engage in dialogue with each other? These questions were the starting point for an international forum on the deepest cultural roots of European thought. Hosted in Como in 2004 by the Antonio Ratti Foundation, the forum welcomed renowned intellectuals, curators and critics who posed crucial questions about the implications and future prospects of creativity. Presented here are the panels and discussions that arose from the forum on an historically and traditionally divided multi-identity Europe, which is now attempting to unite politically and economically.
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FORMAT: Paperback, 6.5 x 9.5 in. / 120 pgs.
LIST PRICE: U.S. $29.95
LIST PRICE: CANADA $35
ISBN: 9788881584895
PUBLISHER: Charta
AVAILABLE: 1/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
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| Diversities
Europe and the Others Published by Charta.
Edited by Lóránd Hegyi. Essays by Carlos Basualdo, Anna Detheridge, Yuko Hasegawa and Jean-Hubert Martin. | What is the role of the contemporary artist in a reality that interprets cultures as conflicting parties and Europe as a closed space? How does his identity develop in relation to European cultures and those that exist elsewhere in the world? Does there exist an acceptable comparative footing that permits otherwise explosive diversities to engage in dialogue with each other? These questions were the starting point for an international forum on the deepest cultural roots of European thought. Hosted in Como in 2004 by the Antonio Ratti Foundation, the forum welcomed renowned intellectuals, curators and critics who posed crucial questions about the implications and future prospects of creativity. Presented here are the panels and discussions that arose from the forum on an historically and traditionally divided multi-identity Europe, which is now attempting to unite politically and economically.
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