| | BOOK FORMAT Paperback, 7.75 x 10 in. / 135 pgs / 144 duotone. PUBLISHING STATUS Pub Date 12/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2006 p. 75 PRODUCT DETAILS ISBN 9788475067322 TRADE List Price: $40.00 CAD $50.00 AVAILABILITY Not available | TERRITORY NA ASIA AU/NZ AFR ME | | THE FALL 2025 ARTBOOK | D.A.P. CATALOG  | Preview our FALL 2025 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | The Shock of Modernity: Crime Photography in Mexico CityEdited By Julio Patán. Essay by Jesse Lerner.
Agustín Víctor Casasola and his brother Miguel were photojournalists until the foreign press corps arrived to cover the Mexican revolution in 1911, when they formed an agency that eventually compiled more than a million images. The Shock of Modernity collects a careful selection of work from the Casasolas' criminological archive, now property of the Fototeca of the National Institute of Anthropology and History in Pachuca, Hidalgo. Collectively these images--which include scenes of crimes, reconstructions of crimes, and documentation of evidence and police procedures--offer a cutaway view of society over the course of the first half of the twentieth century.
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FORMAT: Paperback, 7.75 x 10 in. / 135 pgs / 144 duotone. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $50 ISBN: 9788475067322 PUBLISHER: Turner/INAH AVAILABLE: 12/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2006 Page 75 | PRESS INQUIRIES
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| The Shock of Modernity: Crime Photography in Mexico City Published by Turner/INAH. Edited By Julio Patán. Essay by Jesse Lerner. Agustín Víctor Casasola and his brother Miguel were photojournalists until the foreign press corps arrived to cover the Mexican revolution in 1911, when they formed an agency that eventually compiled more than a million images. The Shock of Modernity collects a careful selection of work from the Casasolas' criminological archive, now property of the Fototeca of the National Institute of Anthropology and History in Pachuca, Hidalgo. Collectively these images--which include scenes of crimes, reconstructions of crimes, and documentation of evidence and police procedures--offer a cutaway view of society over the course of the first half of the twentieth century.
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