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Pub Date 11/2/2004
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| | | Beat Takeshi vs. Takeshi KitanoEssay by Casio Abe. Foreword by Daisuke Miyao. Introduction by Lawrence Chua. Afterword by William Gardner.
Called “the world's most original action auteur” by the Village Voice, Takeshi Kitano is already legendary in Japan, where he is known both for his inventive films and for his legendarily caustic alter ego, comedian Beat Takeshi. In the United States, his stylishly noir aesthetic has both influenced and been admired by such directors as Martin Scorcese and Quentin Tarantino. His emotionally intense yet lyrical films have won him worldwide acclaim and honors, including the Grand Prix for Hanabi [Fireworks] at the Venice Film Festival. Now, the long-awaited Beat Takeshi vs. Takeshi Kitano offers a collection of essays on the internationally acclaimed film director by Casio Abe. Despite his impact on contemporary cinema, very little critical work on Kitano's films exists in the United States. Abe's book, originally published in Japan, combines a detailed look at Kitano's filmography with an incisive critique of the consumerist culture which Kitano's films play against. It is also purportedly Kitano's favorite book on his own work. This translation of Abe's writings on Kitano has been updated with articles that discuss Kitano's most recent releases, up to and including Dolls (2002), as well as extensive appendices and footnotes. Abe is one of Japan's preeminent cultural critics, and his book gives a rare and insightful look into the workings of one of the largest media cultures in the world. This will be the first book devoted exclusively to Kitano's work to be published in the United States. Beat Takeshi vs. Takeshi Kitano is the first volume in Kaya's Wicked Radiance series, which examines the work of a new wave of Asian filmmakers who are reshaping contemporary cinema.
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|  | Foreword by Scott Watson, Amy Sadao, Daniel W. Dietrich. Text by Alex Klein, et al.ICA UNIVERSITY OF PENNSYLVANIA/MORRIS AND HELEN BELKIN ART GALLERY, UNIVERSITY OF BRITISH COLUMBIAISBN: 9780888653055
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FORMAT: Paperback, 6 x 7.5 in. / 304 pgs / 41 b&w.
LIST PRICE: U.S. $22.50
LIST PRICE: CANADA $31
GBP £20.00
ISBN: 9781885030405
PUBLISHER: Kaya Press
AVAILABLE: 11/2/2004
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| Beat Takeshi vs. Takeshi Kitano Published by Kaya Press.
Essay by Casio Abe. Foreword by Daisuke Miyao. Introduction by Lawrence Chua. Afterword by William Gardner. | Called “the world's most original action auteur” by the Village Voice, Takeshi Kitano is already legendary in Japan, where he is known both for his inventive films and for his legendarily caustic alter ego, comedian Beat Takeshi. In the United States, his stylishly noir aesthetic has both influenced and been admired by such directors as Martin Scorcese and Quentin Tarantino. His emotionally intense yet lyrical films have won him worldwide acclaim and honors, including the Grand Prix for Hanabi [Fireworks] at the Venice Film Festival. Now, the long-awaited Beat Takeshi vs. Takeshi Kitano offers a collection of essays on the internationally acclaimed film director by Casio Abe. Despite his impact on contemporary cinema, very little critical work on Kitano's films exists in the United States. Abe's book, originally published in Japan, combines a detailed look at Kitano's filmography with an incisive critique of the consumerist culture which Kitano's films play against. It is also purportedly Kitano's favorite book on his own work. This translation of Abe's writings on Kitano has been updated with articles that discuss Kitano's most recent releases, up to and including Dolls (2002), as well as extensive appendices and footnotes. Abe is one of Japan's preeminent cultural critics, and his book gives a rare and insightful look into the workings of one of the largest media cultures in the world. This will be the first book devoted exclusively to Kitano's work to be published in the United States. Beat Takeshi vs. Takeshi Kitano is the first volume in Kaya's Wicked Radiance series, which examines the work of a new wave of Asian filmmakers who are reshaping contemporary cinema.
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