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| | | | Open Secrets: Seventy Pictures on Paper 1815 to the PresentEdited by Jeffrey Fraenkel and Matthew Marks.
Imagine the ultimate collection of works on paper from the last two centuries: an ink drawing by Brice Marden, a callotype by Muybridge, a Rauschenberg collage, a Degas charcoal, a Friedlander gelatin-silver print and perhaps 65 pieces of comparable quality. This is the wonderful treat that Fraenkel and Marks have put together for us in the exhibition Open Secrets and the accompanying volume of 70 works on paper in a wide range of media from 1815 to the present. What the works have in common is that they are all “pictures that function as the visible evidence of thinking.” Elegantly produced, this catalogue speaks eloquently to the pleasures of connoisseurship.
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FORMAT: Paperback, 9 x 11 in. / 74 pgs / 70 color.
LIST PRICE: U.S. $35.00
LIST PRICE: CANADA $40
ISBN: 9781881337034
PUBLISHER: Fraenkel Gallery/Matthew Marks Gallery
AVAILABLE: 9/2/1997
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: FALL 1997 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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Tel: (212) 627-1999
Fax: (212) 627-9484
Customer Service: (800) 338-2665
Email Trade Sales: orders@dapinc.com |
| Open Secrets: Seventy Pictures on Paper 1815 to the Present Published by Fraenkel Gallery/Matthew Marks Gallery.
Edited by Jeffrey Fraenkel and Matthew Marks. Imagine the ultimate collection of works on paper from the last two centuries: an ink drawing by Brice Marden, a callotype by Muybridge, a Rauschenberg collage, a Degas charcoal, a Friedlander gelatin-silver print and perhaps 65 pieces of comparable quality. This is the wonderful treat that Fraenkel and Marks have put together for us in the exhibition Open Secrets and the accompanying volume of 70 works on paper in a wide range of media from 1815 to the present. What the works have in common is that they are all “pictures that function as the visible evidence of thinking.” Elegantly produced, this catalogue speaks eloquently to the pleasures of connoisseurship.
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