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Hardcover, 9 x 10.75 in. / 230 pgs/ 198 color PUBLISHING STATUS
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Solomon R. Guggenheim Museum, 10/10/06-1/21/07 | | BROWSE THE 2019 FALL CATALOG  Preview our Fall 2019 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Lucio Fontana: Venice/New YorkText by Lucio Fontana, Luca Massimo Barbero, Enrico Crispolti, Paolo Campiglio, Barbara Ferriani.
In the 1940s, the Italian painter and sculptor Lucio Fontana carried out a gesture that revolutionized the history of contemporary art: He punctured and slashed the canvas, leaving fissures in its surface and creating a new dimension in painting. Recognized as one of the masters of the international midcentury avant-garde, Fontana, who was actually born in Argentina, is considered a father of postwar monochromatic abstraction and Conceptual art. Organized by curator Luca Massimo Barbero of the Peggy Guggenheim Collection, Lucio Fontana: Venice/New York catalogues the artist's first exhibition in the U.S. since the Guggenheim's landmark 1977 retrospective. Furthermore, it introduces two rarely seen bodies of work that were created around the cities of Venice and New York, presented together here for the first time. The Venice paintings, shimmering surfaces in silver and gold that recall the mosaics of St. Mark's and that city's Byzantine splendor, are juxtaposed with the New York works--giant sheets of shiny and scratched copper, cut through by dynamic vertical gestures that conjure the force of Manhattan and its powerful, electric skyline. Featuring a facsimile reproduction of Fontana's 1947 "Manifesto Tecnico," as well as essays by Barbero and other leading scholars of the artist's oeuvre, including Enrico Crispolti (author of the Fontana catalogue raisonné), Paolo Campiglio and Barbara Ferriani.
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| | | | OF RELATED INTEREST |  | Artwork by Lucio Fontana. Contributions by Enrico Crispolti.CHARTAISBN: 9788881582051
USD $65.00 | CAN $75Pub Date: 8/2/1999
No longer our product | Not available
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|  | Essays by Paulo Herkenhoff, Helio Oiticica, Pier Luigi Tazzi, Murilo Mendes.CHARTAISBN: 9788881583416
USD $39.95 | CAN $50Pub Date: 2/2/2002
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| |  | By Luca Massimo Barbero.SKIRAISBN: 9788857204826
USD $500.00 | CAN $650Pub Date: 4/15/2014
Active | In stock
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|  | By Germano Celant.SKIRAISBN: 9788857214290
USD $95.00 | CAN $120Pub Date: 8/7/2012
Active | In stock
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|  | By Enrico Crispolti. Contributions by Nini Ardemagni Laurini, Valeria Ernesti.SKIRAISBN: 9788876240584
USD $510.00 | CAN $655Pub Date: 10/3/2006
Active | In stock
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|  | Foreword by Heidi Zuckerman Jacobson. Text by Lucio Fontana, Paolo Campiglio, Jan van der Marck.ASPEN ART PRESSISBN: 9780934324571
USD $20.00 | CAN $27.95 UK £ 17.5Pub Date: 1/31/2013
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FORMAT: Hardcover, 9 x 10.75 in. / 230 pgs/ 198 color
LIST PRICE: U.S. $70.00
LIST PRICE: CANADA $85
ISBN: 9780892073542
PUBLISHER: Guggenheim Museum Publications
AVAILABLE: 12/1/2006
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PUBLISHING STATUS: Out of print
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| Lucio Fontana: Venice/New York Published by Guggenheim Museum Publications.
Text by Lucio Fontana, Luca Massimo Barbero, Enrico Crispolti, Paolo Campiglio, Barbara Ferriani. | In the 1940s, the Italian painter and sculptor Lucio Fontana carried out a gesture that revolutionized the history of contemporary art: He punctured and slashed the canvas, leaving fissures in its surface and creating a new dimension in painting. Recognized as one of the masters of the international midcentury avant-garde, Fontana, who was actually born in Argentina, is considered a father of postwar monochromatic abstraction and Conceptual art. Organized by curator Luca Massimo Barbero of the Peggy Guggenheim Collection, Lucio Fontana: Venice/New York catalogues the artist's first exhibition in the U.S. since the Guggenheim's landmark 1977 retrospective. Furthermore, it introduces two rarely seen bodies of work that were created around the cities of Venice and New York, presented together here for the first time. The Venice paintings, shimmering surfaces in silver and gold that recall the mosaics of St. Mark's and that city's Byzantine splendor, are juxtaposed with the New York works--giant sheets of shiny and scratched copper, cut through by dynamic vertical gestures that conjure the force of Manhattan and its powerful, electric skyline. Featuring a facsimile reproduction of Fontana's 1947 "Manifesto Tecnico," as well as essays by Barbero and other leading scholars of the artist's oeuvre, including Enrico Crispolti (author of the Fontana catalogue raisonné), Paolo Campiglio and Barbara Ferriani.
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