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Hardcover, 9.5 x 11 in. / 212 pgs / 175 color. PUBLISHING STATUS
Pub Date 10/15/2005
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ISBN 9780870704932 TRADE
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| | | Elizabeth MurrayEssay by Robert Storr.
Elizabeth Murray has radically altered the structure of Modernist painting. Her shaped and constructed canvases, often topologically modeled in three dimensions or fitted together out of multiple jigsaw-like parts, treat figure and ground in unprecedented ways, giving the elastic shapes of classic Surrealism a space in their own image. The alternatively comfortable and cataclysmic world that her images depict would crack irrevocably if it followed Euclidean logic; instead; it constantly metamorphoses under stress. With a chaptered essay by Robert Storr, plate section, and in-depth interview, the book will explore Murray's relation to artists such as Joan Miró, Stuart Davis, Claes Oldenburg and Frank Stella, as well as to the mainstream and opened up options for rising generations. This book accompanies the most detailed examination of Murray's art yet mounted, showing its development from Pop-oriented reliefs in the 1960s to the extraordinary volumetric of her recent work.
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| | | |  | Dancing Foxes Press/CAMHISBN: 9781733688932
USD $29.95 | CAN $41.95 UK £ 27Pub Date: 8/3/2021
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|  | The Museum of Modern Art, New YorkISBN: 9780870704932
USD $55.00 | CAN $72.5Pub Date: 10/15/2005
Active | In stock
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FORMAT: Hardcover, 9.5 x 11 in. / 212 pgs / 175 color.
LIST PRICE: U.S. $55.00
LIST PRICE: CANADA $72.5
ISBN: 9780870704932
PUBLISHER: The Museum of Modern Art, New York
AVAILABLE: 10/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Elizabeth Murray Published by The Museum of Modern Art, New York.
Essay by Robert Storr. Elizabeth Murray has radically altered the structure of Modernist painting. Her shaped and constructed canvases, often topologically modeled in three dimensions or fitted together out of multiple jigsaw-like parts, treat figure and ground in unprecedented ways, giving the elastic shapes of classic Surrealism a space in their own image. The alternatively comfortable and cataclysmic world that her images depict would crack irrevocably if it followed Euclidean logic; instead; it constantly metamorphoses under stress. With a chaptered essay by Robert Storr, plate section, and in-depth interview, the book will explore Murray's relation to artists such as Joan Miró, Stuart Davis, Claes Oldenburg and Frank Stella, as well as to the mainstream and opened up options for rising generations. This book accompanies the most detailed examination of Murray's art yet mounted, showing its development from Pop-oriented reliefs in the 1960s to the extraordinary volumetric of her recent work.
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